Analog Science Fiction & Fact – May 2011 Review
Originally posted on 03/04/2011 on cxPulp.com. Read and comment on this article here!
Issue: Volume CXXXI No. 5, 112 Pages
Editor: Stanley Schmidt
AnalogSF.com
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Last month we got a politics-heavy issue. This month the theme has shifted to animals!
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“Too Easy?” (editorial)
by Stanley Schmidt
The best of Stanley Schmidt’s articles are often food-for-thought pieces… this month being one of them. He spends some time providing examples of ways that technology may have made things too easy. He provides a great example – police using hidden GPS devices to follow the every movement of a suspect. Police have always been able to tail someone out in public without a warrant, but the act of doing that required a large manhour expense, making it difficult and expensive. There was no need to require a warrant, because it was simply impractical to do unless you had a very real suspicion that the tail would prove fruitful. Remote GPS tracking eliminates that expense. As much as a reader might recoil against the idea of such tracking, Schmidt changes the argument by bringing up an identical example that common people would favor… digital piracy. An outstanding opening – and a great way of framing both issues that absolutely demands you reexamine your position on the issues.

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“Tower of Worlds” (novella)
by Rajnar Vajra
I really enjoyed this story, despite the somewhat vague setting. The Tower of Worlds appears to be a literal tower located… somewhere. Some of the characters debate the Tower’s location, but ultimately have no answers. The different levels of the tower are almost totally isolated from one another, with each level serving as a home to one intelligent species or another. The plot unfolds on a human level, where the rulers are scheming to launch an invasion of the surrounding levels. In order to do so, they implement a genetic engineering program in an effort to create controllable soldiers that can live and thrive in alien environments. Rejects are usually killed, but as you might expect – a few escape and survive, with the help of a mysterious representative of the “Captains of the Tower.”
There is a lot of potential with this story – it read like something that could be developed into a novel, or series of novels, quite easily. As it is, the story is entertaining and easy to get into. I really enjoyed this one. You can check it out yourself – they’ve posted a good size preview online here.

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“To the Outer Solar System and Beyond: Psychological Issues in Deep Space” (essay)
by Nick Kanas, M.D.
Informative, I suppose, but I don’t think Kanas really told us anything that wasn’t already a common sense conclusion. Of course an astronaut cut off from humanity, limited to a very few individuals for social interaction would be in psychological danger. Of course the longer the trip, the more extreme the potential for danger. Of course humans would be hesitant to go into suspended animation, putting their lives in the hands of a computer. Of course there is a danger of eventual revolt in a generational ship. All of the points made in this story have been explored time and time again in fiction. I am really not sure what the point of this article was, other than to provide a comprehensive, common sense list. It does put a later story, The Old Man’s Best in perspective, and perhaps makes that one a little more enjoyable, but outside that there wasn’t much of use here.

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“Boumee and the Apes” (short story)
by Ian McHugh
This is the first animal story of the month – well, second, if you count Tower of Worlds. The protagonists are pachyderms of some sort – probably mastadons of some kind. The creatures have an intelligence, and their pack behavior is presented as a highly social system. They are also depicted using tools, and as having a degree of intelligence and self awareness. The story begins when a group of primitive men attack a character with spears – killing him. This leads to an intense debate among the pachyderms as to whether or not the humans (apes) are sentient beings.
I enjoyed this story – but I have to admit, it instantly occured to me why this story was published in a science fiction periodical. Then it hit me – in order for a story to be deemed science fiction, technology has to be a central component. It doesn’t say “advanced” technology, just technology, Without the humans ability to craft a spear, this story would not have any basis. Very creative. Another strong story.

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“The Wolf and the Panther Were Lovers” (short story)
by Walter L. Kleine
In another animal story, we follow a card shark as he heads into a western town, attempting to skim a little money off of some unsuspecting gamblers. But he quickly believes that the town is trying to take him for a ride when they introduce him to the most unusual couple he has ever seen – a wolf and a panther who can speak. The story was ultimately pretty clever, but I have to admit that Kleine could have done a better job sucking me into it. I really wasn’t into the gambling motivation – I don’t think it was really needed.

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“What I Did On My Summer Vacation” (Probability Zero, flash fiction)
by Jerry Oltion
I am really enjoying this feature. This little story takes place at an “MMORPG Summer Camp” – a kid’s dream. Only it ends up being a Gold Farm Bank. How do the kids react? Good stuff.

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“”Goldilocks” Gliese 581G: A Fairlytale?” (The Alternate View, column)
by John G. Cramer
How extra-solar planets are discovered seems to be a common topic in Analog these days – but the discovery of these worlds is so closely tied with the inspiration of so many science fiction stories, this is hardly a surprise. Cramer does something that we don’t do nearly enough anymore – in any area. He went back and re-examined an old story, this one the discovery of the potentially life-supporting Gliese 581G. As you might expect, the news might not be nearly as exciting as we thought. People are generally really interested in the first piece of information released, but rarely maintain interest long enough for the follow-through, where the real truth is found. I am glad Analog and Cramer decided to take another look at this one.
The Alternate View: “Goldilocks” Gliese 581G: A Fairlytale?

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“The Old Man’s Best” (short story)
by Bud Sparhawk
“To the Outer Solar System and Beyond: Psychological Issues in Deep Space” helped strengthen the motivations of these characters, but outside that this story just kind of went through the motions. The two men in this story are working aboard a station orbiting Jupiter. Homesick, they decide to try and replicate one joy from home and brew beer. Illicitly of course. Not a terrible concept – but the conclusion was kind of telegraphed and I was a little bored by the uncreativity of the protagonists. Maybe not a concept that works as the central focus of the story.

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“Elipses …” (novelette)
by Ron Collins
I honestly didn’t really get this one. The protagonist sees his neighbor digging holes in his back yard, and thinks they are bodies. Unable to live with the uncertainty – he digs one up himself, discovers some strange electronic equipment, and is discovered and kidnapped as a result. He witnesses some strange things while tied up in the basement (aliens? spies?), and eventually escapes, only to punch out some guy who made a racial slur against Mexicans. Oh yeah, his adopted daughter is Mexican. Yeah, I don’t get that last part either.
I’m not sure where Collins was going with this one. There is potentially something here, but it probably should have been developed a little more.

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“Blind Spot” (novelette)
by Bond Elam
In this hard-boiled sci-fi detective story, the PI is hired to track down someone who is holding a memory-altering formula for ransom. The basic premise reminds me of the theme that ‘Adjustment’ movie in theaters now, but there’s enough here to make it an original concept. The story is a decent enough read – I wasn’t blown away, but I wasn’t bored with it either.

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And as usual, the issue wraps up with Don Sakers’ always informative Reference Library along with Brass Tacks and Upcoming Events.
The issue was decent – but the quality of the stories fell within extremes. There were very few stories that were just solid – most were outstanding, but there were a couple real stinkers in there to balance things out. I did enjoy the read this month, as I do every month.
Overall Rating:

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The Pound #1 Advance Review
Originally posted on 03/04/2011 on cxPulp.com. Read and comment on this review here!
Reviewer: Craig Reade
Quick Rating: Makes me miss the days when Teen Titans was good.
Title: Horror Business Part One of Five
Scott loses his job in Cleveland’s Animal Control Department, and his new job is a little more unusual than he expects.
Written by: Stephan Nilson
Pencils by: Karl Waller
Color by: Romulo Fajardo, Jr.
Ink by: Rick Bonilla
Letters by: Charles Pritchett
Cover by: Karl Waller, Ron Riley, and Rick Bonilla
Publisher: IDW (Digital), Frozen Beach Studios
The story starts off with a quick sequence that finds a typical “damsel in distress” being chased down by a trio of thugs who looking to rob her (perhaps worse?). She is momentarily saved by an unseen force, but before she can finish breathing that sigh of relief, her savior turns on her as well. We then move to our protagonist’s story, and you quickly put two and two together and realize that this story is going to be about dog catchers who capture werewolves. Ok – that’s something unique. The Pound is something of a slow starter, but off the bat I have to say that Nilson does a pretty good job of keeping your interest through a somewhat dry portion of this story.
A lot of time is spent introducing Scott, his family, and Howie – and teaching us a bit about who our pair of protagonists are before they decide to go into business together. We find that Scott is a hardworking, old fashioned kind of guy who is too proud to take charity (but, for some reason has no trouble riding on unemployment for a while… not sure what that is about). Howie’s young and a little naive, but insightful and energetic to take a piece of advice and learn the correct lesson from it – even if it wasn’t the lesson intended. The two look like they will share an interesting dynamic as this story progresses. While I would have preferred a little less time spent on character introduction, I have to admit in the end that Nilson didn’t waste the time. Not only do we know who these guys are, but they are more than generic ex-Dogcatchers. That’s going to make the rest of this series much easier to read. The team is hoping to turn this concept into a “Series of Mini-Series” if this one does well. If they are successful, the groundwork laid out in this issue will be that much more important.
The art is strong overall. The characters are all distinct and unique, and Waller does an outstanding job keeping their looks consistent. He also isn’t afraid to toy with perspective a little bit – a few scenes appear “shot” from above or askew in effective ways. Mechanically the art is great – he can draw different characters in different situations from different angles, and have them look as they are supposed to. The “storytelling” aspect of the art shows occasional flaws – particularly on action scenes or panels that are very crowded. At these times you sometimes find yourself having to pause a moment and analyze what is going on, deciphering the art in the panel based on the dialogue, and what you think should be happening based on the panels before and after. It’s a minor issue – and not representative of all the work in the issue, but it stuck out enough that I felt I needed to point it out. Besides that minor quibble, the book has an outstanding look. It’s easy on the eyes and the style is appropriate to the story’s feel. The art contributes to the story in a meaningful way, which means it has done its job.
The Pound is going to start off as a part of IDW‘s Digital Storefront, with the first issue set for a March 30th release. The future of comics in the new digital age is a common topic of debate, but we are now starting to see some of that future become a reality. Independent comics could benefit a great deal from the advanced medium, so it will be very interesting to watch how titles like The Pound do. IDW’s Digital Storefront is available on iTunes, if you’d like to check this one out on its release, and the series will be collected and printed for a release on August 31st, 2011.
The Pound #1 was a fun read – and I anticipate future issues will be a nice blend of horror and comedy. I’m looking forward to checking out the second issue.
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March 4, 2011
The Last Dragonslayer Review
Originally posted on 03/02/2011 on cxPulp.com. Read and comment on this article here!
Jennifer Strange must cope with the unfortunate demise of Dragonkind
Author: Jasper Fforde
Publication Date: November 4th, 2010
Pages: 280
ISBN: 1444707175
Publisher: Hodder & Stoughton
Let me tell you, it was hard to snag a copy of this one. For whatever reason, it was not released in the United States. I was able to order it direct through Amazon and import it, but even that turned into something of a chore. I ordered this book shortly after Christmas, and due to normal international shipping times and increased security, it took almost 2 months to arrive. I don’t know if it was worth the wait or not, but it certainly was an enjoyable read.
Fforde is most known for his Thursday Next series, but American readers probably aren’t as familiar with his other works. This is another one that is sure to fall under the radar for some reason – I’ve never understood why he didn’t take off as an author in this country. His writing is characterized by a dry, witty absurdity that is truly unique. I am happy to say that those who appreciate those qualities in his writing will find that The Last Dragonslayer is very much a typical Fforde book.
The story follows Jennifer Strange, who is going to turn fifteen in just two weeks. She is an orphan who was abandoned outside a sort-of convent in a VW Beetle, and eventually finds herself an indentured servant working for Kazam Mystical Arts Management. Though she has very little magical ability, she proves to be an effective manager by helping the sorcerers who work for Kazam find a wide variety of employment. The trouble is – magic is vanishing from the world, and what magic is left is heavily regulated. Even the smallest spells require a mountain of paperwork to legally cast, making it more and more difficult for sorcerers to earn a living. A string of precognitive visions foretell a turning point: the final dragon in existence is about to die. Magic may die with him, but it might be an opportunity to restore magic to its former glory. A centuries old prophecy thrusts Jennifer right in the middle of the whole episode, forcing her to make a few impossible choices.
The Last Dragonslayer is a young adult novel. It’s right up there with Harry Potter – it seems designed for a teenage reader, but it is definitely something adults can enjoy. There are obvious comparisons to Harry Potter – magic and the United Kingdom being common threads – but that is where the comparison stops. Not only is Jasper Fforde a much more skilled author than the somewhat amateur (but now disgustingly rich) J.K. Rowling, but those talents are reflected in his writing.
Jenny’s choices aren’t so black and white. She is given a great view of the plot’s current… decides what course it should take, and is then told by all parties that she is completely wrong. And she is. There is an incredible futility to her situation that is interesting to experience – you completely sympathize with her and feel her confusion as she is caught up in a centuries old scheme. But she makes you proud – she stands up for herself in all the right places, instead of backing down and taking the easy way out – she earns the admiration of the reader, which makes her far more endearing as a character.
As any Young Adult novel, this is a quick read, but an entertaining one. This probably isn’t the best book to try out Jasper Fforde for the first time, but fans of his work should seek this one out. Even if it takes two months to arrive in the mail.

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Zombie Terrors Volume 1 Review
Originally posted on 03/01/2011 on cxPulp.com. Read and comment on this article here!
Reviewer: Craig Reade
Quick Rating: Braiiiiiiiins…..
Asylum Press treats you to a collection of Zombie horror.
Contributors: Frank Forte, Arzynat Studio and Doug Sirois, Royal McGraw and Adauto Silva, Doug Williams, Dwayne Harris and Bernie Lee, Craig Wilson, Tim Vigil and Joe Vigil, John Ho and Santosh Kumar Rath, Szymon Kudranski, David Zuzelo and Billy George, David Paleo, Bartosz Sztybor and Maciej Wodz, Joie Simmons, J.C. Wong, Robert Steven Rhine and Nenad Gucunja, Pawel Wojciechowicz, Aaron Rintoul, Pyko, David Hartman, Steve Mannion, Jason Paulos, Jason Edmiston, and Nenad Gucunja
Cover By: Aly Fell
Editor: Elizabeth J. Musgrave
Publisher: Frank Forte, Asylum Press
ISBN: 61724001X
ZombieTerrors.com
The title of this one says it all. If you are a fan of zombie horror, this one is for you.
Especially with the arrival of the AMC series, The Walking Dead has become synonymous with zombie horror in comics. While you simply can’t tear that work down at all, it does eliminate the element of fun from the zombie comic. A lot of that can be found in this collection.
As with any anthology, a variety of creative teams creates a variety of stories – some better than others. Taken as a collective, one of the strengths of Zombie Terrors is the story diversity. You might wonder how a zombie book can have diversity, but some of the writers did an excellent job telling these stories from a unique perspective. The lead story by Frank Forte – Beheaded – follows a swamp dweller who beheads zombies, and hangs their heads on a wall for decoration. Only – as zombies are – their heads are still alive on the wall. Royal McCraw‘s Feast follows the old Masochist’s Meal/Fugu Chef trope with a gangster blackmailing a trained chef into serving him the edible parts of a zombie. Pyko‘s Hunger: Evolution of Zombie Kind told a decent story from the perspective of a Zombie, which I found kind of original. Bartosz Szybor‘s Bond told the story of a guy who kills zombies to buy raw meat to feed his zombie mother. Weird stuff.
It is absolutely correct that Zombie horror is a somewhat limited genre, which is why I was so surprised to see such a diversity in story concept out of this one. With only one or two exceptions, I really enjoyed the writing in this anthology. Even the more common, generic stories had something about them that were worth reading.
The art in this one wasn’t nearly as consistent. There were a ton of different artists lending themselves to a wide variety of styles – some clicked for the stories, and some just did the job… which is good enough in most cases. One or two kind of hurt the story a little bit – but in each of these cases they were fairly generic zombie yarns and you are able to suffer through the pages pretty easily.
I do particularly want to complain about Aaron Rintoul‘s When We Disappear. I am sorry – getting together a few of your friends, posing them for pictures, and then using Photoshop to jazz up the backgrounds is not artistic storytelling. I’ll grant that he is pretty good with his Photoshop filters, and that a couple of these panels would make fairly good looking standalone shots, but that does not make it comic art. There is a great deal more to artistic storytelling than slapping together a pretty picture, and Rintoul absolutely fails to use his “art” to advance his story. Yes – this is one story in an anthology of otherwise passable work, but there is a very good reason most of this kind of art is limited to ashcans and really, really independent comics. It is pretentious and the mark of a poor comic artist. Frankly praising it is an insult to the folks who spend years honing their artistic craft. I’d take this kind of think a lot more seriously if he took the photos and then used them as models to digitally paint his characters.
Sorry for the digression there – that “art” style is a real pet peeve of mine, and I probably went on about that one short story near the end of the anthology for longer than was warranted. But boy does it bug me!
Overall, this book is solid. If you are a fan of zombies or horror in general, I really have to recommend it. Some of the stories have really interesting looks, and on the whole the stories are interesting. Recommended.
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February 23, 2011
Eeek! Review
Originally posted on 02/22/2011 on cxPulp.com. Read and comment on this review here!
Reviewer: Craig Reade
Quick Rating: Pure retro fun
Jason Paulos makes you go Eeek!
By: Jason Paulos
With contributions From: Darren White and Bodine Amerikah
Cover By: Aly Fell
Editor: Elizabeth J. Musgrave
Publisher: Frank Forte, Asylum Press
ISBN: 1617240109
EeekComic.com
Modern comics are almost certainly dominated by the superhero genre – but over the last decade or so, different genres have had little flashes of resurgence. Even still, the classic genre styles remain as lost in comics as they have in other mediums. Just as Science Fiction has morphed into a style that is more legitimate (but less fun), horror seems to have evolved into one of two things – serious psychological thrillers or gore, gore, gore.
Eeek! is an anthology of a different sort. Rather than put out a bland collection of today’s generic variety of horror, Paulos demonstrated what is old can be new again, and had fun. Eeek! features a collection of classic-style horror shorts, the kinds of things you would read in comics prior to the infamous Senate Subcommittee on Juvenile Delinquency. And these stories are dead ringers for those classic tales. They have everything – eerie narrators introducing you to the delightful fright to come – ghouls, ghosts, zombies, vampires – disembodied heads and beautiful, busty women who you just know are going to be stalked, kidnapped, chased, dismembered, or will ultimately be the monster themselves. And to boot – they are funny. Some punch lines are more morbid than others, but there is almost always some kind of dreary twist that is going to make you chuckle.
The art is something else. Paulos draws each story in one classic style or another, but with the added perk of having modern printing techniques and high quality paper stock. The introduction by Bruce Jones points out Paulos’ incredible range, and I am happy to report that it is indeed remarkable. Each story looks completely different from the next, but equally competent to the point where you could almost swear they were drawn by different artists. This is some real quality work.
Speaking of quality work, I have to mention the cover – it is painted by a young artist from the United Kingdom named Aly Fell. This cover I thought was interesting, but nothing overly spectacular. However, when I was looking at the cover and sketch gallery at the back of this book, a couple of them caught my eye. They were brilliant – stunning even. And all painted by Aly Fell. Do yourself a favor – stick his name in a Google search and look at the images that come up. I don’t know what kind of training he has had, but it looks like he has had some. His work makes the work of those popular but mediocre pin-up cover artists we see at Marvel and DC these days look absolutely amateur.
I have to say I was surprised by Eeek!. I had an absolute blast reading it, and for the first time in a while I was able to sit back and enjoy reading something without the faults lining up and begging for my attention. If this is the new face of modern horror books, sign me up for a subscription. This was a fabulous read.
And yes, for those who are familiar with my review style, those are 5 star ratings below. I enjoyed this book that much.
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