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August 31, 2009

The $40 Pull List Live! September 2009 (Transcript)

Filed under: The $40 Pull List — Craig Reade @ 7:30 pm

 

7:30
Craig Reade:  It is that time! Welcome once again to the comiXtreme.com $40 Pull List – LIVE for the month of September!
7:31
B. Schatz:  We’re coming to you live from the palatial Spam corporate annex in the beautful nub of Nanuktuk, Ca, and man oh man, am I ready to talk comics.
7:31
[Comment From Gabriel Sosa]
Thank you for doing this Craig
7:31
Craig Reade:  

Don’t forget the Canadian Kid

7:32
[Comment From Gabriel Sosa]
and B. Scjatz
7:32
Craig Reade:  This month was a fairly decent one – all of the books were on time again… I am not sure what to do with this regularity!
7:32
[Comment From Gabriel Sosa]
*Schatz
7:32
Which title should be dropped this month?
Blackest Night

 ( 33% )

Batman and Robin

 ( 33% )

Deadpool

 ( 17% )

Avengers: The Initiative

 ( 0% )

Secret Six

 ( 0% )

Power Girl

 ( 17% )

7:32
B. Schatz:  Nobody remembers Canada. Jerk-faces.
7:33
Craig Reade:  As always, we will have a couple poll questions – please answer them! I am not saying it will mean anything, but it is fun nonetheless!
7:33
Craig Reade:  Without further ado, let’s jam on last month’s issues! Starting off…
7:34
[Comment From Gabriel Sosa]
I love Canada my uncle lives there
7:34

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7:34
B. Schatz:  Steve? I love that dude.
7:34
Craig Reade:  

War of Kings #6 (of 6), $3.99, Marvel Comics. Due Out 08/05/09 ON TIME

Written by Dan Abnett & Andy Lanning, Pencils by Paul Pelletier, Inks by Rick Maygar & Andrew Hennessy, Colors by Will Quintana.

 

In the event conclusion, Black Bolt and Emperor Vulcan meet head-to-head, while the rest of the Inhumans and Ronan debate about his course of action. Crystal and Lockjaw elect to try and save him, over the objections of Medusa, and Gladiator is proclaimed Majestor by a frightened populace. Finally, the War Ends with the apparent death of both Kings, and the Sh’iar suing for peace.

7:35
B. Schatz:  Hot damn, am I right? Okay, so going into this, I wasn’t really thinking about the whole situation. These dudes? Are out in space. If you blow crap up there, nobody really cares. And most of the characters? Are expendable. And man. That ending. Wow.
7:35
Craig Reade:  

I have to say that I loved how this ended up. No forced inclusion of the Guardians of the Galaxy, Nova, or any other Annihilation alums… the story was allowed to conclude on its own, and the net effect was the expansion of Marvel’s already detailed Cosmic Universe. Plus there was plenty left for upcoming stories… the already teased story of who will assume the respective thrones to start. I am also curious about the giant rip in space/time that sits right between the two empires (seen also in Nova), you know that will be a major story point.

7:35
Craig Reade:  Good stuff coming, and no unneccesary story interruptions. The perfect comic event.
7:36
B. Schatz:  Psh. I eat giant rips in space and time for BREAKFAST. In my Armageddios.
7:36
B. Schatz:  THey’re a delicious part of a complete breakfast (and zombie invasion).
7:37
Craig Reade:  

I think it is safe to say that this event was well worth the money, and I am sad it didn’t get its own cereal.

7:37
B. Schatz:  True enough.
7:37
Craig Reade:  It’s over!
7:37
Craig Reade:  Onward.
7:37

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7:37
Craig Reade:  

Jonah Hex #46, $2.99, DC Comics. Due Out 08/05/09 ON TIME

Written by Justin Gray & Jimmy Palmiotti, Art by Cristiano Cucina, Colors by Rob Schwager

 

In Part 3 of the Six Gun War, Jonah Hex arrives with Lazarus Lane and the Comanche just in time to save Bat Lash and Tallulah Black from execution. El Papagayo is “interrogated” by El Diablo, to determine the location of Turnbull. Meanwhile, Turnbull hires a cadre of assassins to take out Jonah Hex and his friends. Finally, Hex begins the tale of his history with Quentin Turnbull’s son Jeb.

7:38
B. Schatz:  I’ve been reminded that there is no such thing as consentual rape. Therefor, I must conclude that Rape did NOT make an appearance in this issue.
7:38
Craig Reade:  Or it did, but it was soundly defeated by Consentual Sex, its nemesis.
7:38
Craig Reade:  

Halfway into the event, and things are shaping up quite well. This chapter not only started to give us the reasons for Turnbull’s hatred of Jonah Hex, but we are also seeing the set-up to a pretty spectacular conclusion. I have to admit that I feared this event would just be a drawn-out story that followed the usual Hex formula, only slower. Thus far, that has definitely not been the case.

7:39
B. Schatz:  So much is happening in the pages – and there’s STILL room for some good old fashioned silent western fight scenes. Seriously, the boys are hitting it out of the park with this arc. And to think, I was almost getting bored of this book.
7:40
Craig Reade:  Almost, but not quite. And things look like they are setting up for a pretty epic shootout down the road
7:40
Craig Reade:  Which will be awesome.
7:40
Craig Reade:  In the end, so far so good… safe to move on here.
7:41

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7:41
Craig Reade:  

Secret Six #12, $2.99, DC Comics. Due Out 08/05/09 ON TIME

Written by Gail Simone, Pencils by Nicola Scott, Inks by Doug Hazlewood and Mark McKenna, Colors by Jason Wright

 

Wonder Woman and the Six battle – with the fight eventually coming down to Jeannette and Diana, the Banshee surfacing and ultimately claiming victory. Artemis, of course, lives, and is “rescued” by three of the Six. As a reward for the loyalty of the remaining three (with Wonder Woman in tow), Mr. Smyth treats them to a tour of his “Nine Circles,” along with an introduction to his Devil.

7:42
Craig Reade:  

A step up from the last issue – though I still think Wonder Woman’s inclusion was forced. It still seemed like everything to do with her was a muddle of illogic. The core of the story itself is solid though, which made the issue readable. Still – I maintain that Gail Simone can’t write a good Wonder Woman at all (Her Wonder Woman has flashes of good moments, but little more) and is only getting rave reviews because people are still excited about the prospect of her writing Diana, and refuse to see reality. Ah, the loyalty of the comic fan.

7:42
B. Schatz:  So personally, my fears about this title were washed away with this issue. I was afraid the book would become this weird anti-hero thing – and not a straight up villain book… and really, these characters are still pretty reprehensible. I love ti.
7:44
Craig Reade:  I actually found it tough to tell the difference. A couple of the characters are still evil – but a few seem to have a disgusting morality creeping in. I think the only real flaw in this issue was the afforementioned inclusion of Wonder Woman – she could have gone with countless other things there and it would have turned out much better.
7:44
Craig Reade:  I would also think that Wonder Woman, with her abilities, would be able to tell the difference between a dead sister, and a mildly unconcious one.
7:44
Craig Reade:  The "Ooops, not dead, all better" moment was pretty sorry.
7:45
B. Schatz:  Also? I think Simone and Scott have found a nice ballance between male and female shirtless-bondage-fun-time. A title the whole family can enjoy! But yeah, I sort of agree with the Wonder Woman thing here. I think Wonder Woman is capable of being a great character… but she’s built in such a way that makes it hard to do. She’s very offputting.
7:45
B. Schatz:  Everyone knows that women can’t detect death properly. Or smell.
7:46
B. Schatz:  And that, my friends, was your Canadian Science Minute.
7:46
Craig Reade:  

So it would seem. To avoid talking about Wonder Woman any longer, I will comment that I find the nudity funny. If you have a problem with female nudity in comics, the solution isn’t to add male nudity – its to give them clothes. It doesn’t bother me, but the hypocricy is a little funny.

7:46
Craig Reade:  ANYWAY…

Onward!

7:46

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7:47
Craig Reade:  

Ghost Rider: Heaven’s Fire #1 (of 6), $3.99, Marvel Comics. Due out 08/05/09 ON TIME

Written by Jason Aaron, Pencils by Roland Boschi, Colors by Dan Brown

 

Picking up from the recently cancelled series, Hellstorm goes off in search of the potential Anti-Christ (nice Heroes pun in the title there) that escaped the slaughter of his Satanist “parents” at the hands of some angels. Meanwhile, Johnny Blaze and Caretaker set off to try and track down the angel Zadkiel. They learn that Zadkiel seeks to unmake prophecy by having the Anti-Christ killed, so that there can be no Armageddon. “Anton Satan” is almost killed by one of Zadkiel’s agents, only to be saved by Jane Cutter.

7:47
Craig Reade:  Or is it Hellstrom? I can never keep the name right. They should stick to one…
7:47
B. Schatz:  Okay, so seriously? Johnny Blaze just effed up some new age chakra wearing hippies. And it was freakin’ AWESOME.
7:48
Craig Reade:  I am always in favor of hippies getting effed up.
7:48
Craig Reade:  

As with the ongoing – solid. A nice cheesy action feel. Sad that we really haven’t gotten to see Danny Ketch yet, but I imagine he will be turning up sooner or later.

7:48
B. Schatz:  The trade I got here staring the dude says Hellstorm, but these things happen. Maybe.
7:48
B. Schatz:  Oh yeah. And Big Wheel, and the All New Orb, and a whole lot more cheese. Seriously, I’m pulling for a Highwayman cameo before all is said and done. So cheesy, so grindhouse, so awesome.
7:49
B. Schatz:  I would eat Jason Aaron’s entire family, if that meant I could keep him.
7:49
[Comment From Guest]
It’s hard when you get that old
7:49
Craig Reade:  

That’s what she said.

7:49
B. Schatz:  Zing!
7:49
[Comment From Guest]
That was to Craig forgetting the character’s name
7:49
Craig Reade:  

Ba rump bum bum

7:50
Craig Reade:  It isn’t forgetting – the kids name has been on many occasions Daimon Hellstrom. Look it up :)
7:50
B. Schatz:  I need to find that "The More You Know" sign, for when Craig says "Look it up". I know it doesn’t happen often, but I think it needs to be accompanied by that shooting star.
7:51
Craig Reade:  In any case- I am very glad this mini retained the feel of the ongoing. There are few ridiculous fun books on the market right now, and this one nails the genre.
7:51
Craig Reade:  Onward!
7:51
[Comment From Guest]
Yeah I know, but you’re still an old fart
7:51

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7:52
Craig Reade:  

Invincible Iron Man #16, $2.99, Marvel Comics. Due Out 08/05/09 ON TIME

Written by Matt Fraction, Art by Salvador Larroca, Colors by Frank D’Armata

 

Madam Masque becomes unhinged and tries to force Tony to choose her over Pepper. Meanwhile, Maria Hill struggles to cope with Control’s manipulation. Pepper helps Tony escape, and then she goes toe-to-toe with Madame Masque to cover his escape.

7:52
B. Schatz:  Oh Mark. To me, you’re BOTH incredibly old. :)
7:52
B. Schatz:  So anyway, was it just me, or was this book super boring this time around? I’m really waiting for it to get out of the second act and get to the part where butts are handed to various peoples.
7:53
Craig Reade:  

Still good, but boy is this story crawling! The Maria Hill subplot is way more interesting to me right now, and even that is slow.

7:53
Craig Reade:  Supposedly, there are what – 3 issues left in this one? The solicit for the second issue next month mentioned that there was only one more left.
7:53
Craig Reade:  Way too much padding in an otherwise outstanding series.
7:54
B. Schatz:  What I’m saying is, I require some solid hand/butt action. And yeah, the most progression was definitely there. In any case, the past few issues could’ve been condensed a bit more… let it be a 10 or 9 issue mini. Would’ve been a whole lot more awesome. But hey, it’s still better than most, I’d say.
7:54
B. Schatz:  Yup. Three more issues, and things are over. It’s confrontation time, crackers!
7:54
[Comment From Guest]
I hate you B. I’d go to Canada but you already lost just living there!
7:54
Craig Reade:  This whole story should have capped out at 6 issues, really.
7:54
Craig Reade:  

Still, I am willing to continue reading this one…

7:55
Craig Reade:  Onward to something a little more… well, something.
7:55

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7:55
Craig Reade:  

Deadpool: Merc With a Mouth #2 (of 6), $2.99, Marvel Comics. Due Out 08/05/09 ON TIME

Written by Victor Gishler, Art by Bong Dazo, Colors by Matt Milla, Inks by José Pimentel

 

We get a flashback to the events of Marvel Zombies #4, explaining where the Zombie Deadpool head came from. Deadpool and Doctor Betty make their escape, only to end up in the crosshairs of some HYDRA agents.

7:55
B. Schatz:  Ack. My heart, she is wounded by an attack against Canada. I think I will get it fixed for free. (Damn, I should be focusing more… Blicharz!!!!!!)
7:56
Craig Reade:  

Still a bit light, but overall a wholly enjoyable over-the-top read. I didn’t expect any more from this title, so expectations met!

7:57
B. Schatz:  So, the problem here, me thinks was Gischler tried to put too much plot into the story. Each event seemed to require the next one to happen, and Deadpool seems to thrive on a more… jazz music style of foundation, with improvised zany options – and there was no room for that here.
7:57
B. Schatz:  Tears, sadness.
7:57
Craig Reade:  It could be terrible – like most minis like this tend to be. Though I have to admit – I was really eager for Zombie Deadpool to heal into 616 Deadpool stomach when he stuffed him down his pants, Quato-style.
7:57
Craig Reade:  Alas, it was not to be. As to the plot  - yeah, there seemed to be a fair bit of it, though it really didn’t bother me that much. I found it adequate.
7:58
B. Schatz:  That would have been awesome. Yet… sadly, it was not meant to be. And hey, this ain’t no mini. It’s the second of three Deadpool ongoings.
7:59
Craig Reade:  

Anywhich… next!

8:00

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8:00
Craig Reade:  

Green Lantern Corps #39, $2.99, DC Comics. Due Out 08/12/09 ON TIME

Written by Peter J. Tomasi, Pencils by Patrick Gleason, Inks by Rebecca Buchman   & Tom Nguyen, Colors by Randy Mayor & Gabe Eltaeb

 

Kyle and Guy run into Iolande and Soranik Natu on their way back to Oa, only to run into a cloud of Back Rings. Arisia is kicked off a newly free Daxam while Mongul establishes his Corps on Korugar. The Black Rings enter the Lantern Crypt and resurrect new members from the corpses and Kyle is confronted with a Black Lantern Jade.

8:01
B. Schatz:  So, still much better than the regular Green Lantern book – and still the hardest of the two t sell. I get that it’s looked at as a spin-off… but man. This is where it’s at. Explosions, deaths, consequences, soap opera… lots happens here, and the story always moves forward at an insane pace. I love this book.
8:01
Craig Reade:  

This was what Blackest Night #1 should have been. So much easier to explain what I was talking about when it is there on paper! While a Black Lantern Ralph and Sue has a little bit of a cool factor, it is way more impressive   to have Jade come back as a Black Lantern. And the return of Bzzt, only undead! Sure, at the time, I figured that was bound to happen, but there has been so much going on that I totally forgot about it. A great issue.

8:02
Craig Reade:  

Exactly what I wanted from this event, only in the title the fewest people care about. Gotta love the comic industry.

8:02
B. Schatz:  Agreed, entirely. It’s actually the one Blackest Night title I’m thinking of continuing with…
8:02
B. Schatz:  Speaking of…
8:02
Craig Reade:  Indeed.
8:02

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8:03
Craig Reade:  

Blackest Night #2 (of 8), $3.99, DC Comics. Due Out 08/12/09 ON TIME

Written by Geoff Johns, Pencils by Ivan Reis, Inks by Oclair Albert, Color by Alex Sinclair

 

A bunch more Black Lanterns pop up – including Deadman, Aquaman, and the Spectre… and that’s about it. Honestly, there was so little of real merit happening in this issue that I feel like a recap is a waste.

 

This event is horrible. The entire issue was “So and so is a Black Lantern! OMG!” We got one SINGLE panel showing what really mattered in this story – what is happening in Green Lantern Corps. Truthfully, the temptation to drop this part of the event is strong. It’s literally garbage in comic form – cheap sensational fluff designed to make comic geeks get excited, and absolutely nothing that has any real import or staying power. I got more out of a couple pages of Green Lantern Corps #39 than I have both Blackest Night issues put together.

8:03
Craig Reade:  This whole thing from this perspective is coming off like DC wanted to rip off Marvel Zombies. It’s not good at all.
8:04
B. Schatz:  So okay, who is tired of the whole "let’s kill people off to show how crazy the threat is" game? That would be me. I actually liked how things were handled in the first issue, but man… issue two, and it’s just more of the same: death for death’s sake.
8:05
B. Schatz:  I get that it’s more or less the point of the series… for there to be crispsy corpses around to poke and such, but feh. FEH, I say. It’s not special when it’s been happening for YEARS.
8:05
Craig Reade:  This entire issue seemed like a retread of issue #1. What happened? More people became dead. They didn’t advance a plot, reveal anything about the threat, or even actually combat the evil. It was Millar Moments over and over again.
8:05
Which title is doing a better job representing the Blackest Night story?
Blackest Night (the event mini)

 ( 17% )

Green Lantern Corps

 ( 83% )

8:06
B. Schatz:  Here’s the event I want: a dire event… where people FRIGGEN LIVE. These are heroes. Superheroes. They have fun adventures! They don’t complain about their jobs ALL THE TIME (I’m looking at you, Barry Allan and Hal Jordan).
8:06
[Comment From Gabriel Sosa]
LOL
8:07
Craig Reade:  The only people who seem to know how to do that anymore are Abnett & Lanning, sadly. Events across the board – from both companies – haven’t told good stories so much as just used the event to sell sensationalism.
8:07
Craig Reade:  

I really wish we’d go back to dead means dead frankly – that worked out so well for the couple of years it was tried.

8:07
B. Schatz:  And hey – with Abnett and Lanning, it seems that with every death, they expand and bring more people in. Seriously, they know how to do gooder fun times.
8:08
[Comment From Guest]
Barry hasn’t complained once though
8:08
B. Schatz:  Other than, you know, Flash Rebirth 1-3.
8:08
[Comment From Guest]
That’s not Blackest Night, B
8:08
Craig Reade:  

I was going to say – that is all Barry DID in Flash Rebirth was whine.

8:08
B. Schatz:  Oh sorry, and Blackest Night #0 and 1.
8:09
Craig Reade:  Anyway – back on track – onward to something more interesting.
8:09

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8:09
Craig Reade:  

Power Girl #4, $2.99, DC Comics. Due out 08/19/09 ON TIME

Written by Jimmy Palmiotti & Justin Gray, Art by Amanda Conner, Colors by Paul Mounts

 

Power Girl and Terra take in a movie, and round off the evening by taking on a giant lizard monster and Zoraida the Elf Queen. The next day, “Miss Starr” has to deal with some budget issues in the office, then finally finds a place to call home.

8:09
Craig Reade:  

OK… a quick aside –  why does Terra decide that just taking off her pants is a perfectly acceptable substitute when lacking a costume?

8:10
B. Schatz:  Speaking of fun comics…! I really, really, really enjoy this book. I’m over the whole Terra thing – using your own created character in a new book for funsies… because it looks like she’s going to add a whole lot to the book.
8:10
Craig Reade:  I didn’t know whether to laugh or actually find that offensive. Probably both, truth be told.
8:10
Craig Reade:  Terra was ok in this issue – last issue not-so-much, but if she is going to act the sidekick to Power Girl, I really am ok with that.
8:11
B. Schatz:  You’re seriously going to ask me if I think taking pants off is a bad thing? It’s like you don’t know me at all, Craig.
8:11
B. Schatz:  All your pants are belong to me.
8:11
Craig Reade:  Oiy, I should have remembered who I was talking to – the slacks-burgler.

And I totally agree – this title is very tongue-in-cheek fun. I was hoping for something way more serious when this title was first announced, so it was a bit of a shock, but I have grown used to it quickly.

8:12
B. Schatz:  It feels like we’re getting a better sense of the ensamble the team is trying to build for the book. More confort is being established. I’m very much in the mood for this.
8:12
Craig Reade:  Indeed – well done on the supporting cast as well – crucial to any book.
8:12

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8:12
Craig Reade:  

Avengers: The Initiative #27, $2.99, Marvel Comics. Due Out 08/26/09 ON TIME

Written by Christos N. Gage, Pencils by Rafa Sandoval, Inks by Roger Bonet, Colors by Edgar Delgado.

 

We start with a nice character story about Johnny Guitar, a brief overview of his history and what lead someone like him to become a part of the new Shadow Initiative. After his expected death, the story shifts to the rest of the team sent to recapture 42. After we Hardballs’ recruitment by Blastaar, we see him work to sabotage the defense of the 42 prison from within.

8:14
Craig Reade:  One of the most awesome things about this book ? I can honestly see some teams splitting both of these "chapters" into their own issues, and throwing in lots of splash pages (Iron Man anyone?) – both were the perfect length, and well executed.
8:14
B. Schatz:  Go Butterball! Seriously, this issue? Was fantastic. Between the moving Johnny Guitar and Dr. Sax story (you read right) and the Butterball adventure…. this book is really back on track. The stories were getting away from what made this book so great in the first place – focusing on the characters, and not the crazy stories and plot circumstances. A great, great return to form.
8:14
B. Schatz:  Despite Penance.
8:14
Craig Reade:  

An overall decent issue. It was nice to see Butterball in action – in a context that made sense. I do think Osborne’s overexposure remains a problem, but I really can’t complain too much all-in-all.

8:14
Craig Reade:  There was no Emo-kid in this issue, so that probably contributed to its awesomeness.
8:15
Craig Reade:  Or, none worth speaking of anyway.
8:16
B. Schatz:  Indeed. Easily ignored admist a sea of awesome. And to be fair, this was less of the Norman Osborn show too. Although stories seem to be building towards Norman’s time ending around November-ish… so I’m looking forward to that.
8:16
Craig Reade:  This title scares me a little to be honest – issues like this make me LOVE it. Then there are other issues that get bogged down in over-arching universe continuity, and I cringe. It would take so little to push this title either to greatness or birdcage-liner…
8:17
B. Schatz:  I agree. It’s shakey, but man, when it’s good… I’m just hoping the last story arc was jsut a means to an end, and we’ll be getting this from here on in.
8:17
[Comment From Wolfwood]
"All your pants are belong to me." You really should make that into a bumper sticker.
8:17
B. Schatz:  Imma get on it.
8:17
Craig Reade:  

Indeed indeed… seging into…

8:17

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8:17
Craig Reade:  

Nova #28, $2.99, Marvel Comics. Due Out 08/26/09 ON TIME

Written by Dan Abnett & Andy Lanning, Art by Andrea DiVito, Colors by Bruno Hang.

 

Nova and Xenith square off, and Richard comes to terms with King Blastaar, and returns home with Ravenous and his brother. After wrapping things up and setting the foundation for the new Corps, the group goes to investigate the spacial tear between Sh’iar and Kree, and discover an old Nova Corps Starship.

8:18
B. Schatz:  AN old Nova Corps Starship, or THE Nova Corps starship… what blew up at the start of Annihilation.
8:18
B. Schatz:  ?
8:19
Craig Reade:  No no – this is kind of a throwback for old-school Nova fans. Its like the Green Lantern Corps – they don’t really need ships, but then, a ship crashed on Earth and Hal ended up with a ring?
8:20
Craig Reade:  Its like that. Obviously the Nova Corps don’t need ships anymore. Hence "old."
8:20
Craig Reade:  Then I might be the only person that read and enjoyed Nova pre-Annihilation :)
8:20
Craig Reade:  

Oddly, this is the first time I feel like we have “caught up” since the series began. Things were moving so quickly, so many plots, two major events – and finally Richard is at peace with Worldmind, the new Corps is forming, Nova’s made peace with his brother joining the Corps, he’s not infected with the Transmode virus, and he isn’t going insane or about to die. It is a strange status-quo for this book to say the least!

8:20
B. Schatz:  That is probably a truth fact. I only knew Nova as the jerk from Spider-Girl… IN THE FU-TURRRRRE….
8:21
Craig Reade:  

We will not speak of him – though he was rad in his own way.

8:21
B. Schatz:  True – but I think the momentum the book has is necessary – it would be very easy for people to drop this book, what wit hit being on the outskirts of terra based Marvel.
8:22
Craig Reade:  True enough. But it still has direction – only a lot of old plot threads are finally knotted up. The book is strong – I have no reason at all to complain. Nor would I want to.
8:22
Craig Reade:  On to something slightly less awesome.
8:22

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8:22
Craig Reade:  

Batman and Robin #3, $2.99, DC Comics Due Out 08/26/09 ON TIME

Written by Grant Morrison, Art by Frank Quietly, Colors by Alex Sinclair

 

Batman gets some answers, while Robin, a prisoner, is about to be operated on by Professor Pyg. Robin breaks free, and almost escapes – only Batman arrives in the nick of time to help him across the finish line. Pyg’s ring is broken up, but one of his “victims” is approached by the Red Hood.

8:23
B. Schatz:  I still like this book, but I was really hoping we’d remain firmly in All Star Superman territory, and do without the heavy Morrison crazy speak. And then, Professor Pyg went crazy-go-nuts.
8:24
Craig Reade:  

Was this book ever in All Star Superman territory? I can’t say it was. Tough to say if this issue was worse than the last – but I can say for certain that it isn’t any better. Things should improve next month when Philip Tan takes over the art chores – as acclaimed as this team was, Frank Quietly’s art was a major drag on this story.  

8:25
B. Schatz:  Gasp! You’re a liar and a charliton, Craigerton J. Reade. I’m one of those folk who really likes Farnk Quitely’s work – and I know that some people aren’t enjoying the way he’s changed it up a bit here, but I think the looser pencils lend itself to Batman, who is a looser character.
8:26
Craig Reade:  Quitely can be good – at times. I enjoyed him on All Star Superman, but here it is a mess. Not good at all – he seems almost as sloppy as JRJr I have to say.
8:26
Craig Reade:  scribble scribble scribble!
8:27
Craig Reade:  And the plot – well, it was a little better, but honestly I am not feeling it.
8:27
Craig Reade:  There is little to no character consistency.
8:28
B. Schatz:  You know, I’ve never been good at describing why exactly I like art, but I have to say, I’m not picking up on the JR Jr-ness of the work. And as for the story, I liked this issue less than the last, but really, you can’t top Robin beating a carnie to almost-death with a spoon and a bucket.
8:28
[Comment From Gabriel Sosa]
X-factor
8:29
B. Schatz:  It’s in the middle of a story arc…. maybe for 200???
8:29
Craig Reade:  I didn’t say there weren’t good moments in this book…
8:29
Craig Reade:  But on the whole – just not feeling it. not QUITE ready to give up on it, but it has a long way to go before it is great. Hopefully the art shift will help.
8:30
Craig Reade:  Anyway – people seem excited about the new book for next month, so let’s move on to that.
8:30
Craig Reade:  

- The List So Far

 

Jonah Hex #47, $2.99, DC Comics. Due Out 09/02/09

Ghost Riders: Heavens Fire #2 (of 6), $3.99, Marvel Comics. Due out 09/02/09

Invincible Iron Man #17, $2.99, Marvel Comics. Due Out 09/02/09

Secret Six #13, $2.99, DC Comics. Due Out 09/09/09

Green Lantern Corps #40, $2.99, DC Comics. Due Out 09/09/09

Batman and Robin #4, $2.99, DC Comics Due Out 09/16/09

Invincible Iron Man #18, $2.99, Marvel Comics. Due Out 09/16/09

Deadpool: Merc With a Mouth #3 (of 6), $2.99, Marvel Comics. Due Out 09/16/09

Blackest Night #3 (of 8), $3.99, DC Comics. Due Out 09/16/09

Power Girl #5, $2.99, DC Comics. Due out 09/23/09

Avengers: The Initiative #28, $2.99, Marvel Comics. Due Out 09/23/09

Nova #29, $2.99, Marvel Comics. Due Out 09/23/09

 

Preliminary Math

 

$1.30 (Bank from August) + $40 (September Budget) = $41.30

$41.30 – $37.88 (September  issues) – $2.94 (tax) = $.48 Banked for October

8:30
Craig Reade:  

- The Chopping Block

 

With War of Kings wrapping up, we do have room for our double helping of Invincible Iron Man next month. The problem is – we don’t have room for anything else! And as usual, a new title is required every month, which means we need to cancel something. Ideas?

8:31
B. Schatz:  My short list is Blackest Night and Deadpool, frankly.
8:31
Craig Reade:  On the poll we have a tie between Batman and Robin and Blackest Night – For me, I am ready to drop Blackest Night.
8:31
[Comment From Wolfwood]
Sounds like you really didn’t like Blackest Night. It’s four bucks too, so I’d suggest that.
8:31
[Comment From Gabriel Sosa]
Drop Blackest Night.
8:31
B. Schatz:  A consensus! Huzzah!
8:32
Craig Reade:  Seems fairly unanimous. Blackest Night is out!
8:32
Craig Reade:  

- New Titles

8:33
Craig Reade:  With Blackest Night gone, we have room for our one required book. We had a suggestion of X-Factor –
8:35
Craig Reade:  I tend to agree with Brandon … in the middle of an arc isn’t the best time for a new add.
8:35
Craig Reade:  You will have to suggest that one when they are going into a new arc. Though to be fair – my Peter David boycott is still in effect.
8:35
Craig Reade:  So odds aren’t terribly good I’ll go for it.
8:35
B. Schatz:  I’ll say this, I’m definitely putting it in to contention for November’s edition when #200 hits. Plus, it would ship twice next month… and we’re already cutting things pretty close with an add.
8:36
[Comment From Wolfwood]
Ultimate Comics Spiderman or Deadpool 900.
8:36
[Comment From Gabriel Sosa]
why are you boycotting him?
8:36
[Comment From Wolfwood]
Wolverine: Weapon X is also awesome.
8:36
Craig Reade:  Heh – LONG story for another time. Let’s just say once upon a time, he was rather abusive to some of the staff here, and made a fool of himself on the site.
8:37
Craig Reade:  Ask an old timer.
8:37
B. Schatz:  I agree, that Wolverine Weapon X is awesome – and a new story arc is starting in Rocktober, so a good suggestion for then. (Also, by Jason Aaron, of Ghost Rider fame)
8:37
B. Schatz:  I’ll post it in the thread later, Gabe.
8:37
Craig Reade:  Indeed! Keep that one on the short list for next month.
8:38
Craig Reade:  We will need to sample something in November too – no Power Girl that month, if memory serves. But we are looking too far ahead. Thoughts for this month B?
8:38
B. Schatz:  Well, I found a couple for the shortlist, of things with new #1’s or story arcs coming out. The first is Sweet Tooth from Vertigo – just a buck for a story by Jeff Lemiere, of Essex County and The Nobody fame. Don’t hold this against him, but he’s also Candian.
8:40
B. Schatz:  There’s also Nomad from Marvel – written by Sean McKeever. It’s $3.99. Strange Tales is the Marvel Indie anthology but it’s $4.99 a pop…
8:40
[Comment From Gabriel Sosa]
What about secret warriors?
8:40
Craig Reade:  That one is only a buck – not terrible, but that would still leave us room.
8:41
Craig Reade:  You know what? I am going to enable your McKeever gayness, just this once.
8:41
Craig Reade:  Nomad #1 it is.
8:41
Craig Reade:  The list is really light on titles in that niche as it is.
8:41
B. Schatz:  Man, I don’t want to seem like we’re swatting off reader suggestions, because we’re not… but the new story arc started last month… we’ll have to wait for December to look at that one. But Hey, I’m going to keep these on file, and bring them up then. Sound good?
8:41
B. Schatz:  Sounds good.
8:42
B. Schatz:  Gah. That makes it sound like I’m talking to myself. Daggit, not what I intended.
8:43
B. Schatz:  While Craig does some maths, I am going to do some interperative dance, set to gentle murmers.
8:43
Craig Reade:  Indeed man. None of the suggestions are bad at all, but we kind of do need them to be at a good jumping on point. $40PL is all about bang for the buck – and starting in the middle of a story can be difficult.
8:43
B. Schatz:  Ah-tum-tee-tum-tee-tum…
8:43
B. Schatz:  Pah-rum-pah-doodle-doo…
8:44
Craig Reade:  

- ThSeptember List!

 

Jonah Hex #47, $2.99, DC Comics. Due Out 09/02/09

Ghost Riders: Heavens Fire #2 (of 6), $3.99, Marvel Comics. Due out 09/02/09

Invincible Iron Man #17, $2.99, Marvel Comics. Due Out 09/02/09

Secret Six #13, $2.99, DC Comics. Due Out 09/09/09

Nomad: Girl Without a World #1, $3.99, Marvel Comics. Due Out 09/09/09

Green Lantern Corps #40, $2.99, DC Comics. Due Out 09/09/09

Invincible Iron Man #18, $2.99, Marvel Comics. Due Out 09/16/09

Deadpool: Merc With a Mouth #3 (of 6), $2.99, Marvel Comics. Due Out 09/16/09

Blackest Night #3 (of 8), $3.99, DC Comics. Due Out 09/16/09

Power Girl #5, $2.99, DC Comics. Due out 09/23/09

Avengers: The Initiative #28, $2.99, Marvel Comics. Due Out 09/23/09

Nova #29, $2.99, Marvel Comics. Due Out 09/23/09

8:44
B. Schatz:  A-tap-a-tap-a-tappe…
8:44
B. Schatz:  Oh thank God…
8:44
Craig Reade:  

$1.30 (Bank from August) + $40 (September Budget) = $41.30

$41.30 – $37.88 (September  issues) – $2.94 (tax) = $.48 Banked for October

8:44
Craig Reade:  It’s over!
8:44
[Comment From Gabriel Sosa]
ok, I thought the secret warriors arc started in september.
8:44
Craig Reade:  

With barely 50 cents to spare.

8:44
B. Schatz:  No worries. It happens to us all. Thanks for the suggestion, though, it’s an awesome book.
8:45
B. Schatz:  Ta-dah! We’ve done it again. Marvel at our awesome comic muscles. Grrrrrrrr
8:45
Craig Reade:  I think that concludes our broadcast day. Thanks to everyone for tuning in and commenting.
8:45
B. Schatz:  Stay thirsty, my friends.
8:45
Craig Reade:  Feel free to continue the conversation in the thread. You may also bash our horribly wrong opinions if you so choose.
8:45
Craig Reade:  See you next month!
8:46

 

 

Post your comments in the Forum!


August 11, 2009

ZAP! POW! BAM! – and Batman (1943) at the Skirball – a Report

Filed under: News & Miscellaneous — Craig Reade @ 11:32 am

From February 19th through August 9th, the Skirball Cultural Center in Los Angeles, CA presented an exhibit entitled “ZAP! POW! BAM! The Superhero: The Golden Age of Comic Books, 1938-1950.” The Skirball Center explores the connections between the long history of the Jewish Culture and the culture and ideals of America today. This exhibit is especially fitting – the history of the comic medium is rich with renown Jewish creators. Bob Kane, Bill Finger, Jerry Siegel, Joe Shuster, Will Eisner, Stan Lee, Jack Kirby – name any “great” from the entire history of the medium, and odds are you will find they were Jewish. Even some of of the more popular names of today, from Marv Wolfman to Howard Chaykin, and Peter David continue this tradition.

Of course, the impact of Jewish heritage goes deeper than the faith of those who created the most iconic characters of today. The cornerstone of comics, Superman, certainly shares some interesting parallels with the Jewish tradition.After all, when you think of a man who was placed in a tiny conveyance to save his life as an infant, only to realize his full heroic potential after he learns the truth of his heritage, do you think of Superman, or do you think of Moses? The similarity between Kal-El and the hebrew word קל-אל (meaning “the voice of God” or “the light of God”) only strengthens that connection. While other examples might not be so obvious, it is clear that the very foundation of the medium depends heavily on Jewish creators using Jewish themes.

Of course, the exhibit itself was less theological in nature. The entrance to the exhibit featured a bit of fun – a newsstand covered with copies of papers like those you might see in a comic story, as well as a pile of comics obviously meant for people to flip through. There was a lot for the kids – starting with a box filled with Batman, Superman, Green Lantern, and other costumes, along with a phone booth to change in! A glass case contained a glowing piece of “kryptonite” that would loudly warn you away if you got to close. There was even a vintage quarter Batmobile ride (you know, like the ones you see outside the grocery store for kids?), featuring the old Batmobile design from the Adam West TV show. Kids could also watch some 1940s superhero serial shorts in a tiny theater – Superman being the main feature.

On the serious side, the exhibit featured a ton of classic comics under glass (Including a copy of Action Comics #1), and various art-boards for dozens of comics, both obscure and well-known. Everything from Superman, Wonder Woman, and Batman, to even more obscure Golden Age heroes like Golden Lad, Black Cat, and Ghost Rider were on display.

Jerry Robinson is listed as a “guest exhibitor” of the exhibit, and as such, his original Joker playing card sketch was on display – the piece he claims to be the original inspiration for the Joker character. Of course, there has always been some dispute as to who actually created the JokerBob Kane and Bill Finger claim absolute credit for his creation, but Jerry Robinson has always claimed that this playing card sketch was the original genesis of the idea, the concept was his, and Kane and Finger simply played the role of “co-creators.” These days, it is fairly difficult to say for sure what version of the story is true, but all three are generally mentioned when the subject of the Joker’s genesis are discussed, and no matter which version of the story is true, it was great to get to see the original piece up close.

There were also several other non-art artifacts on display – many from Superman creators Jerry Siegel and Joe Shuster, including both of their glasses and jackets, and Siegels typewriter and “thinking hat.” Scattered throughout the exhibit were biographies of pretty much every legend in the comic industry you can recall, as well as several you may not have heard of.

In conjunction with this exhibit was another fun collection called Lights, Camera, Action: Comic Book Heroes of Film and Television. As you might have guessed, this showcased some artifacts relating to comic heroes in film. There was a good deal of movie memorabilia on display, from lunch boxes, puzzles, board games, posters, and action figures, to larger items like movie props and costumes. Featured prominently was the 1966 Batcycle from the television show (complete with the go-cart sidecar), the Captain America costume (with shield) worn by Robert Brown for the 1979 TV pilots, Christopher Reeve’s Superman costume from Superman IV, Michael Keaton’s Batman costume from Batman Returns, and Warren Beatty’s Dick Tracy costume from the 1990 film.

The exhibition began way back in February of this year, but there was a very specific reason I waited until the very last day to pay a visit. That was the day that they would be screening all fifteen parts of the 1943 The Batman Serial. This was ab absolute gem.

A little history – this serial was produced a scant four years after Batman first appeared on the pages of Detective Comics #27. Each chapter was roughly 15 minutes long, and a new chapter would appear each week prior to the theater’s feature film. It stars Lewis Wilson as Batman, a US government agent working to secure the homeland during World War II, Douglas Croft as Robin, J. Carrol Naish as Dr. Daka (the villain), and Shirley Patterson as Linda Page (the love-interest). The serial had an enormous impact on the Batman mythos. It marked the very first appearance of the Batcave (called the Bat’s Cave), and its grandfather clock entrance, something that was later incorporated into the comics. It can also be credited with the creation of Alfred – though he appeared first in the comics (though only a couple of months prior), it is widely speculated that he was conceived of for the film, and was written into the comic once Bob Kane was told about him. Even then, the original comic Alfred was short, stout, and bald – after this serial, Alfred was forever tall, lanky, and mustached – exactly like William Austin in the serial.

The serial’s impact on the genre didn’t stop in 1943. In 1965, it was re-released in theaters. The marathon screening was entitled An Evening With Batman and Robin, and was a smash camp hit. It directly influenced the creation of the 1966 Batman television series (complete with serial-style cliffhangers and teasers), something that had its own impact on Batman’s current form, as well as Batman’s role in pop culture.

The serial itself was a riot to watch, and well worth the four and a half hour viewing time. There was a lot that was done well – but everything that was done poorly had a strange way of amplifying the camp value of the serial, thereby making it more enjoyable. On the whole, the plot really wasn’t that bad. It centered on Dr. Daka, a Japanese spy who was working to sabotage the United State’s War Effort. Each part of the serial dealt with some part of Daka’s plan, Batman and Robin’s attempts to foil it, and Daka’s growing frustration with the masked menace.

The portrayal of Batman and Robin was outstanding and horrible at the same time. I was actually quite surprised at how well they pulled off the “Batman pretending to be a lazy playboy as Bruce Wayne” bit, but that is where the serious admiration ended. The rest was wholly entertaining, and absolutely horrible.

For starters – the costumes. Oh, the costumes. Batman, with a spare tire, wearing an outfit that made Adam West’s costume look dignified. The same was true for Robin (save the spare tire) – it was shocking to see just how bad you could get with a superhero suit. They looked like bad under-roos, and when they rolled around on the ground during fights, it was almost disturbing. And the joy the two of them showed at changing into their identity was hysterical – they almost always changed into their costume in the back of their car, sometimes mere moments after changing back into their civilian identities. There was one scene I will never forget – after Dick and Bruce decide that Batman and Robin are needed, when Dick excitedly exclaims “Swell! Let’s change into our outfits!” After which, the two of them can be seen with enormous grins on their faces, undressing in the back of the car. Alfred wasn’t much better – far from the wise old mentor, this early version of the butler was portrayed as a comedic “femme” – to the point where I was certain they were trying to make some statement about his sexuality.

And the fight scenes themselves were something of a treat. They usually sped up the frame rate slightly, much like an action scene in an old silent film – and while they used fairly standard “smacks” for sound effects, the campy music and the overdone sound made this a giggler. You can definitely see where the 1966 series got its inspiration.The body doubles also got to be a little ridiculous – I couldn’t help but laugh when suddenly Robin was taller than everyone else in the fight, and abotu twice as heavy as he used to be. The cliffhangers get more and more ridiculous as the series progresses – almost every time Batman is placed in a situation where you are sure he had to have died – but at the beginning of the next it is shown how he really survived. He was in a plane crash (just walked away, oddly enough), crushed by a burning roof (again… just walked out of it), tossed in a pit of alligators (pulled a switcheroo), sent off a cliff in a car (jumped out, last minute), and even crushed by a train! (Robin with the last-minute save). The scenarios got more and more ridiculous – to the point where you can see how the cheering and booing audience participation came into play when this was re released in the 60s. You can definitely see the origins of the death-trap cliffhangers in the 60’s TV series.

I do have to say that I was very disappointed in the hand wringing and apologizing by some of the staff, particularly in a conversation held about the serial during the intermission. They were horrified by the “racism” in the serial, to the point where he said he considered not screening it. While there is no arguing that there were derogatory elements in the serial (specifically calling the villain a “Jap,” referring to him as “slant-eyed,” and comparing his skin color to his obvious cowardice), the staff failed to note that while derogatory, it was no worse than what you heard in similar media in reference to Germans at the time. They also totally failed to give an honest assessment of Dr. Daka, the serial’s antagonist. While Japanese, he was a brilliant, competent opponent. He weaved an almost impenetrable veil of secrecy around his organization, developed a remarkable internal security system, was capable of creating “zombies” (otherwise ordinary people who’s strength was augmented and were forced to obey his every command), invented and built two disintegration rays, was able to reanimate the dead to gain information, had an almost perfect truth serum – as Batman villains went, Daka was a beast. And he was just as nationalistic and bigoted towards the American way of life as the serial’s heroes were toward him. I found it extremely disappointing that the staff simply judged the film bad because of occasional slurs, without giving it an honest, in-context evaluation. That struck me as rather unscientific – and while there was a moderated discussion on the film, the majority of the crowd weren’t prepared for a real honest discussion about the language use in the time, and the discussion was lead by someone who absolutely felt that the language itself was evil, and didn’t look any deeper than that in his analysis.

The exhibit itself was extremely enjoyable, as was the film. If you care to see the serial yourself, it is pretty widely available on DVD. The exhibit itself is over at the Skirball, but it did originalte at the Bremen Museum in Atlanta, Georgia, so there is a good bet it will pop up again.

Post your comments in the Forum!


August 10, 2009

Jeff Jacques Stole My $23

Filed under: News & Miscellaneous — Craig Reade @ 10:59 am

Or, a Buyer Beware Guide to Supporting Web Comics

Once upon a time, creative success depended on luck and the generosity and goodwill of more wealthy individuals. These days, luck is still a factor, but if your work can translate to the web, you can distribute it yourself. If you are especially talented and lucky, you might eventually get to the point where you can support yourself and family from the work you produce and distribute online. Talk about an artists dream – to be able to maintain control of your artistic endeavor, and make money off of it, without having to compromise your vision in the slightest? Truly it can be said that the internet has done more for the artist than any other innovation in years.

For a webcomic artist, the income formula is fairly standard. Your comic is going to be free – and posted regularly, to generate a steady traffic flow. From there, most successful and profitable webcomic strips will use some combination of three possible income streams. Reader donations (Something Positive and Subculture are two good examples of this, both having Paypal donation buttons on their site), Advertising (Either through brokers like Project Wonderful or if you are large enough: direct sponsorship, and Merchandising.

While donations are often a good way to earn a little income from very generous and devoted readers, nothing attracts average people like an online store. It appeals to a base commercial instinct in most of us – we like to advertise what we like, especially if it involves wearing something that you can’t get just anywhere. This is especially true for “geeks:” and said consumers make up the vast majority of the webcomic market. Plus. many people are wary of donating money because they like to have something tangible in exchange for their money (and “free enjoyment of a creative effort” isn’t really tangible).

Merchandising is easier than ever. Cafepress is a great alternative for the beginning artist, but as your audience and orders grow, an entrepreneurial webcomic artist will need to make some changes to allow for flexibility in their product line and to maximize profits. For many this involves hiring a personal business manager and printing the materials yourself, or hiring another merchandising company to manufacture and sell the products for you.

So what does all of this have to do with Jeph Jacques? He, as many of you know, is the creator of Questionable Content, a week-daily webcomic strip. It’s won its fair share of awards, and has built itself quite a strong audience. To be perfectly frank – the strip is fantastic. I remain a fan of his work. Jacques is one of the fortunate few who has been able to turn his art into a profession. His website boasts the trifecta of income streams – a Donation Button, Advertising, and a Merchandise Store.

So here is where the story takes a darker turn… one that comes with a lesson we should all remember when shopping online – just because you are a fan of a comic strip does not mean that the artist is your friend or trustworthy. Advice I should have remembered at the time.

As it would happen, I happen to be dating a girl that is… less than open to comics. I don’t force my strange hobby on her, but over the years when I have found something she likes I definitely encourage it. This has resulted in many Strangers in Paradise, American Spendor, and Ghost World related purchases, to be sure. Needless to say, when she got turned on to Questionable Content, I did everything in my power to encourage that. So, on January 16th, 2009, I decided to order her something from the Questionable Content store – specifically the “Hannelore Worry Shirt.”

Long story short? It’s been 7 months, and this order still hasn’t shipped.

Of course, after about a month, I started to get concerned. The order still hadn’t shipped, and I had no idea when it would. I decided an email would be the best way to go at this point. Now, on the Questionable Content site, Jacques specifically states the following:

All merchandise inquiries should be directed to qcmerch (at) mac (dot) com or user name “qcmerch” on AOL Instant Messenger. Merchandise-related questions sent to jephco (at) mac (dot) com will not be replied to.

OK, so email qcmerch@mac.com. Got it.

I didn’t email bomb the guy… I first sent out an email om February 11th politely asking for an update. The thing was, though I was specifically sending my inquiry to the correct address, no one ever replied. I followed up with a second email on March 4th. Again… nothing rude or inflammatory, just a request for an update on the order. Neither email received any kind of reply.

Here is where my concern started to grow into a little something more. See, I was getting ready to move in April. I didn’t consider this at the time I made my order, but at that point I felt it was reasonable to assume that an order would be shipped well before three months had passed. I was even willing to wait – but since I still hadn’t received a reply of any kind at all, I was getting more than a bit irritated, as well as worried the package would ship to my old address (which was vacant), and sit on that front porch until someone decided to toss it. So I decided to take the unforgivable step of sending an email to jephco@mac.com, which appeared to be a more personal email address.

Now I must admit that considering that warning on his contact page, I found it a bit backwards that the first time I actually got a reply to my question was when I sent an email to the address he specifically warned he would not reply to.

Jacques’s reply on March 15th was polite, though brief:

“We’re still catching up on January orders; your shirt will be in the mail by the end of the week if all goes according to plan. Sorry about the delay.

jeph”

He didn’t make any confirmation about my address change, but heck, it was a response with a timeframe. That satisfied me, for a time. I sent a thank you and went back to waiting. I waited another month.

Finally, April 15th rolled around, and I decided to send another email. I went back to the “proper” email address of qcmerch@mac.com, and let him know that I still hadn’t gotten my order, and I had since moved. I included my new address and asked that the item be shipped there. I did express a little irritation at the wait, but nothing too serious or offensive. I shouldn’t have been surprised, but that email was ignored as well. As was the follow up email on June 11th (sent to both addresses), when I finally asked for a refund. After that email was ignored, I sent another one on June 27th, once again asking for a refund. Finally I sent one last email on July 16th, explaining who I was (something I don’t like doing, but heck, it was the only thing I could actually do that might have some effect at that point), and let him know that I would post an article about the transaction if we couldn’t come to some kind of resolution. I thought for sure that would get his attention, and he would just refund my money and be done with me at that point. I know I shouldn’t have been surprised, but I still never received a reply. Since I don’t really believe in making empty threats – here we are.

Here is where the object lesson comes in. At the time of my order, Jacques was sending out his merchandise himself, so there was no customer service line I could complain to. I paid through Paypal – so I thought I should file a dispute there. Unfortunately, you have to file a dispute within 45 days, and at that point we were well past that mark. I knew that there was a deadline to file a dispute, but in my line of thinking, I was supporting an independent webcomic artist – he would fill the order, all I needed was a little patience. So past the deadline, Paypal just shrugged their shoulders and didn’t do a thing to help me. I didn’t purchase the item on a credit card, so I couldn’t dispute the charge (and thus didn’t have a credit card company’s fraud department on my side).

Now this story isn’t meant to discourage you from purchasing merchandise from your favorite webcomic. But you should be cautious when spending your money online. Webcomic artists are members of our community, but that doesn’t mean you should let your guard down. So here are some tips to keep in mind when making your purchase.

1. Size Matters. The more exposure the Web Comic has, the more likely you are to receive your item. Penny Arcade and PvP are likely going to ship your order fast, as will anyone else that contracts with a large, reputable merchandise service. This doesn’t mean you let your guard down with the big-boys, but it does mean you should be more cautious when dealing with less-mainstream names.

2. Reputation Matters Ultimately, if a site is likely to rip you off, odds are you will hear about it somehow. In addition to size, reputation is important – and a little time and effort on Google should reveal quickly if they are going to send your item or not. If you are dealing with a smaller, less-established webcomic store, take a little time to check them out before sending in the money. Also consider how long the comic has been around, or how long they have been selling items. If the comic is brand new and started selling shirts 2 months ago, you might want to wait a while before making that purchase. You might love the comic and want to support them, but until they demonstrate longevity and have several months of consistent shipping under their belt, you don’t want to be the one to test their trustworthiness.

3. Paypal is Not Your Friend. Sure, Paypal is extremely convenient, but you have to take care of yourself there. If you pay via Paypal and pass the 45 Day deadline to file a dispute, you literally have no recourse at all.

Instead, you should use a credit card or main a postal money order. Credit Card companies are much easier to work with when you have a dispute, and will often refund your charge while the dispute is being investigated. Any dispute you make with a credit card company should be done within 60 days of the transaction if you want to be protected under the Fair Credit Billing Act (which may not cover you if the charge is under $50), but Credit Card Companies will often go above and beyond to serve their clients, even if you are filing past the usual deadline. Just remember to try and resolve it on your own first, and document everything if you go this route – your credit card company will probably go to bat for you if you have been legitimately defrauded, no matter how long it has been.

Postal Money Orders may not be accepted by an online retailer, but if you can mail in payment, they add an interesting bit of added protection. If you pay for an item with a Postal Money Order and the item isn’t shipped – they have committed mail fraud. You can bet that the Post Office takes that seriously, and will prosecute.

4. Don’t Be Nice If something doesn’t ship within a certain time frame, file the dispute. If you use Paypal to make a payment, and you haven’t received your item on the 44th day, just file the dispute.There is no being friendly about it – you can’t decide to give them more time (this was the mistake I made). Remember the old “Allow 4-6 Weeks For Delivery” at the end of commercials? That is an excellent guideline. If you don’t have it in 6 weeks, and they haven’t given you a tracking number, something is wrong. You aren’t a bad person for demanding your item ship within a reasonable time frame, especially if you are paying for the item in advance and paying a shipping and handling fee.

5. Check The Forums If a Web Comic is popular enough, odds are they have a forum. Sign up for an account, and ask people there if they had ordered from the store, and how long it took to get their items. If someone is posting there still, odds are they will support the artist, but if you get a few people reporting slow shipment (it took a little while to get there, but he is so busy, so I was cool with it!), odds are they are not a reliable merchant, and you should think twice before ordering from them.

6. Wait for the Con A lot of times Web Comic artists will visit several conventions a year, and do make appearances. Odds are, they will have merchandise on them. Find out what conventions or signings they will be attending, and if possible, arrange to make your purchase there. There is much less chance of fraud when the transaction is face to face.

At the end of the day, I deserve what I got – I wasn’t a smart consumer, and I lost $23 in the process. So what now – do I organize some kind of massive campaign against Jeph Jacques for stealing my money? Boycott? Email attack? Show up at a convention with a photographer and demand he pay me right then?

Even after all this, I do enjoy his work. I still read the comic, and I would encourage you to as well. I would even say that if you were planning on purchasing some Questionable Content merch, that you could probably feel safe in doing so. Since I made my order, Jacques has contracted Topatoco to manufacture and sell his products, and they have developed a fairly good reputation in their relatively short existence. I think it is doubtful that anyone purchasing something today would experience anything like what I have.

So to try an organize what would probably be a futile attempt at retaliation? Kind of pointless if you ask me. Jeff Jaques did steal from me – that’s as plain as you can put it. He did take money from me, and did not deliver what he promised. This was aggravated by the fact that he is a professional, and he literally eats if people like me support his work by purchasing his merchandise. I emailed his customer service address, and didn’t receive a single reply (he only replied to the ‘fan’ address) – in that time, I can’t have been the only one. It’s unprofessional, and disrespectful to the people that put a roof over his head.

I am irritated, but I am going to let it go. It’s pointless to start a crusade against him, but I did feel it was necessary to share my experience – not only so his readers could know what happened, but also in the hopes that other potential consumers out there would be more cautious when spending money to support their favorite webcomic artists.

Though I wouldn’t mind it if, next time you see him at a con, you told him to “Send Craig his damned money back.”

(Want to comment? Why not head over to comiXtreme.com?)

Post your comments in the Forum!


August 5, 2009

Mirror’s Edge Review

Filed under: Reviews — Craig Reade @ 12:15 pm
boxart
PLATFORM
X-Box 360, Playstation 3, PC
DEVELOPER
EA Digital Illusions SE
PUBLISHER
Electronic Arts
GENRE
Action Adventure
# OF PLAYERS
1
Rating
T
U.S. RELEASE DATE
November 12th, 2008
MSRP
$59.99

OVERVIEW 

A runner gets involved in a murder, where her sister is the prime suspect!

REVIEW 

At the very least you have to give EA Games credit for trying something a little bit different here.

Mirror’s Edge has been out for several months now, and the premise of the game should be fairly familiar to most. The game follows a runner named Faith (get it? Leap of Faith? How terrible), who is one of several underground couriers who deliver physical messages to and from people who don’t want to be monitored by a totalitarian government with a stranglehold on electronic communication. These runners traverse the rooftops carrying these messages while trying to stay out of the government’s watchful eye.

Faith gets a call from her sister, a police officer, whom she later finds at the scene of the murder of Robert Pope, a popular “change” candidate for mayor. Kate asks her outlaw sister to help her prove her innocence by unraveling the crime, a quest which sets the story in motion.

To start with, I really have to give this game credit for originality. The setting alone sets Mirror’s Edge apart from just about every other game on the market today. It was almost like someone suddenly noticed that there are other colors besides gray and brown! The city is a brilliant white as this totalitarian future government apparently insists upon cleanliness, something that is truthfully far more believable than the gritty, dirty, nasty post-apocalyptic future we usually get. Everything looks brilliant.

We are also presented with a first person shooter that isn’t a shooter at all, something else that is also quite refreshing. You are extraordinarily human, which means bullets can and do kill. While you can certainly pick up guns and shoot them yourself, you aren’t encouraged to at all. You are a runner, your skills are all about mobility, and the game makes quite clear that you are expected to escape from rather than confront opponents.

So you have a fairly unique approach to game play, with a look that is unlike anything on the market today. This should be a good thing, right? Unfortunately it takes more than creativity to make a successful game, and though the truly great games start with creativity and originality, they never stop there. Mirror’s Edge doesn’t quite make it past those first few steps.

chopperThe concept of this game comes from parkour, or a system of mobility which uses the bodies natural abilities to traverse physical barriers as quickly and as smoothly as possible. In this game, you utilize something similar to that art to make your way up, down, and through buildings in order to escape your pursuers and reach your objective. The game helps you out a bit – your first time through, you have something called runner vision, which turns objects you are supposed to use red. You look for the red objects to run through, jump over, climb on, or somehow use to clear an obstacle to advance.

Thing is – not everything is usable. The levels are horribly linear – there is almost always only one way to make your way through a level and that’s it. As the game moves along, you will find yourself stopping and spending a good deal of time in a single area struggling to figure out where you are supposed to go next. This defeats the whole point of the game – movement. You just can’t improvise. You have to quickly find the one way through an area, and since you are almost always being chased during these critical times, you find yourself dying over and over again, frantically searching for the way you need to go in the seconds you are alloted. Remember in the original Ninja Gaiden where you would die over and over and over again in an attempt to make your way through a new level? This is kind of like that, only it isn’t anywhere near as fun.

The game is also very finicky as to when it will actually do what you expect it to do. You will marvel as you find yourself running across a rooftop, and begin what seems like a simple leap atop an ordinary chain-length fence – only the game decides that you suddenly can’t jump high enough to clear it! And when you start jumping up and down in the same place struggling to get your avatar to cling to the ledge just above you, but the dang thing won’t trigger! When you are presented with a game about movement, you expect Sonic the Hedgehog. Instead with all of the stopping you have to do, or are forced to do, you are basically given a clunky first person shooter without the fun of really shooting anything.

kickA lot of it has to do with poor mechanics programming, but some credit for this goes to the horrible button layout. The jump/leap/climb/wallrun button (all the same), is the left button. Not the usual action button… the left shoulder button. So while you are running along, using your left thumb to control the movement of your player, you are expected to use a shoulder button to perform most of the actions in the game. I haven’t seen a game that promoted carpel tunnel this badly since the original Playstation first introduced the dual-shock controller. Trust me, as you are going through your hours of trial and error, you definitely feel the pain of this game. You hardly use the regular action buttons at all. Horrible marks there.

A word about combat. Now since the game is designed with escaping your opponents in mind, you wouldn’t think that the combat system would be all that important. In fact, when I first picked this game up, I kind of looked at the weaknesses in the combat scheme to be something of a perk. You weren’t supposed to fight, after all, you were supposed to run. But then the game goes and does something utterly ridiculous – it puts you in areas where you have to fight to move forward. Suddenly, the archaic fighting mechanics are no longer a plus.

You can punch and kick your opponents – which works, but will invariably lead to you getting shot by another opponent. You can steal their weapon using a technique akin to a poor quick time event… but like the movement, the game has a nasty habit of failing to trigger, and even in slow motion, pressing the button at the exact required moment, its 50/50 whether or not it will allow you to execute the counter and steal their weapon.

craneAnd let’s say you get the gun – even that is no guarantee of success. For some reason your opponents fire their weapons at incredible range with amazing accuracy, and never seem to run out of bullets, while you have to be in their face to even graze them, and for some reason you only have 2 or 3 bullets left in the weapon. Of course, there is no ammo meter, so you kind of have to guess if you have any bullets left or not.

This game makes liberal use of elevators to hide load time – but it doesn’t do a good job of hiding anything. You are stuck in those elevators forever – there is no noise, no rumbling in the controller… heck, there isn’t even anything to listen to. You will occasionally be in an elevator with a screen where a text advertisement of some kind scrolls, adding a tiny bit of color to the game’s setting, but after 3 seconds you are done reading that and find yourself waiting… and waiting… just to burst into a level and sprint through it. There is nothing to explore – this is definitely a linear game – so the game spends all this time loading a setting that you aren’t really supposed to have time to really appreciate.

Then the cut scenes.. Cell-shading? For real? Now as a disclaimer, I liked The Wind Waker. I liked the use of cell shading as a game mechanic. But the graphics in the game play shouldn’t be better than the cut scenes! This game is presented in a crisp fashion… clean, detailed… the look of the cut scenes completely clashes with the world you are presented in the game play. Those horribly flat, poorly animated movies are almost like a broken promise.

Mirror’s Edge can be summed up with two words – failed potential. When this game was first introduced, expectations were high. But like most bad comedies, every good part was in the trailer.

Overall Rating:

Mirror’s Edge Official Site

Post your comments in the Forum!


August 4, 2009

The $40 Pull List Live! August 2009 (Transcript)

Filed under: The $40 Pull List — Craig Reade @ 7:00 pm

7:01 Craig Reade

Monday, August 03, 2009, 8:01:28 PM
Welcome once again to the comiXtreme.com $40 Pull List Live!

7:02 B. Schatz

Monday, August 03, 2009, 8:02:03 PM
I am the affible Brandon Schatz – that is contacerous Craig Reade!

7:02 B. Schatz

Monday, August 03, 2009, 8:02:17 PM
And the spell check is missing, so that might not be exactly right. But let’s go!

7:02 Craig Reade

Monday, August 03, 2009, 8:02:32 PM
I prefer "Slightly-less-than-esteemed," but that will do.

7:02 Craig Reade

Monday, August 03, 2009, 8:02:44 PM
Where are we again, some SPAM thing in Nanuktuk?

7:03 B. Schatz

Monday, August 03, 2009, 8:03:15 PM
The basement of the Spam corporate Annex in nanutuk California! Also, without notes this evening! On my part.

7:04 Craig Reade

Monday, August 03, 2009, 8:04:08 PM

Well, welcome to August, the peak of event season. Hey – did you dozens and dozens of readers check out Brandon’s column "Me vs. The Angry Mob" today? Its pretty sweet.

7:04 Craig Reade

Monday, August 03, 2009, 8:04:25 PM

7:04 B. Schatz

Monday, August 03, 2009, 8:04:43 PM
He speaks the truth. I shall send the mind scurvy for all a ye.

7:05 Craig Reade

Monday, August 03, 2009, 8:05:23 PM
Introductions aside, let’s move on to last month’s issues! All on time, for a change, I should add.

7:05 Craig Reade

Monday, August 03, 2009, 8:05:55 PM
And as always, please answer these 100% mandatory poll questions!

7:05

Monday, August 03, 2009, 8:05:58 PM

7:06 Craig Reade

Monday, August 03, 2009, 8:06:10 PM

Batman and Robin #2, $2.99, DC Comics Due Out 07/01/09 ON TIME

Written by Grant Morrison, Art by Frank Quietly, Colors by Alex Sinclair

 

Batman and Robin try and stop a prison break-in attempt made by a gang of Extreme Circus performers, but Robin disobeys orders and quits after Batman calls him to the carpet for his actions. After a moment of doubt, Dick rushes to find his wayward ward, who has meanwhile gotten himself into a little bit of trouble…

7:06 B. Schatz

Monday, August 03, 2009, 8:06:30 PM
Can I just say that carnies scare the ever loving crap out of me? Because they do. Bearded ladies, sideshow monkeys, the whole shebang.

7:07 B. Schatz

Monday, August 03, 2009, 8:07:01 PM
I thought this issue was awesome – much better than the first. From Alfred talking about this being a performance for Dick, and from Dick knowing the strange circus talk… all of it was cool.

7:07 Craig Reade

Monday, August 03, 2009, 8:07:06 PM
But see… they are clever! Because Dick came from a circus background, he has to have carnie villians as Batman! It’s BRILLIANT I say!

7:07 B. Schatz

Monday, August 03, 2009, 8:07:36 PM
Oh. And Damien doing unspeakable things with a bucket and a spoon. That made me laugh.

7:08 B. Schatz

Monday, August 03, 2009, 8:08:24 PM
But I’m sensing a touch of sarcasm in your words… me thinks.

7:08 Craig Reade

Monday, August 03, 2009, 8:08:53 PM
I will say that Alfred’s advice was really the only thing I absolutely loved about this issue. It was a far cry better than the last one, but I really am not feeling this. The whole dynamic between the two of them seems totally ridiculous. Why would Dick take Damien on as a sidekick if there was that level of distrust and discomfort between them. Am I the only one that wished – when Damien was walking through the circus – that the Joker would pop up with a crowbar? Anyone?

7:09 B. Schatz

Monday, August 03, 2009, 8:09:53 PM
Uhrm… they explain that in Red Robin. Don’t thinkI should get into that here, as it’s not on the list though, and doesn’t "count" for the story…

7:10 B. Schatz

Monday, August 03, 2009, 8:10:22 PM
But essentially, Dick sees Tim more as an equal than a sidekick. Plus, without proper guidance, Damien’s going to kill somebody.

7:11 Craig Reade

Monday, August 03, 2009, 8:11:07 PM
Oh, I was one that thought Tim should be Batman – Nightwing was his own man, so no… it would have been wrong for Tim to remain Robin. But… I was one that felt Dick as Batman needed no sidekick.

7:11 Craig Reade

Monday, August 03, 2009, 8:11:52 PM
But I digress… it is a vast improvement, and perhaps something that deserves more time. It isn’t All Star Superman quality, which is where the bar has been set… but it is no longer horrible. That’s a big improvement for only one issue.

7:12 B. Schatz

Monday, August 03, 2009, 8:12:24 PM
Mmkay. Let’s continue!!

7:12

Monday, August 03, 2009, 8:12:26 PM

7:12 Craig Reade

Monday, August 03, 2009, 8:12:31 PM

War of Kings #5 (of 6), $3.99, Marvel Comics. Due Out 07/01/09 ON TIME

Written by Dan Abnett & Andy Lanning, Pencils by Paul Pelletier, Inks by Rick Maygar, Colors by Will Quintana.

 

The Inhumans mark the death of Lilandra, deciding on an alternate strategy to quickly end the war as conclusively as possible. Vulcan’s advisors and the Raptor fraternity insist upon peace, much to his annoyance, and Gladiator tries to take out his rage on Chancellor Araki and Black Cloak. Black Bolt decides to employ a bomb that uses a warhead of weaponized Terragin, a bomb that he has to sacrifice his life to detonate. Finally, before he can give his life, Emperor Vulcan bursts in, and the two sovereigns face off against one another.

7:13 B. Schatz

Monday, August 03, 2009, 8:13:27 PM
Man, it feels like forevs since I read this issue. So basically? Things are getting intense and awesome. This issue is mostly build, but with all the politics of the previous issues, it’s a quick, tense build that’s sending things to it’s crazy conclusion pretty soon here.

7:13 Craig Reade

Monday, August 03, 2009, 8:13:35 PM

It is outstanding to see how this is playing out. This issue seemed like quite a bit of juggling, but for all the chaos DnA did a pretty good job of getting us exactly where we needed to be at this point, with Vulcan and Black Bolt about to tear into each other directly.

7:13 Craig Reade

Monday, August 03, 2009, 8:13:48 PM
A little messy in the middle, but otherwise solid.

7:14 B. Schatz

Monday, August 03, 2009, 8:14:18 PM
Just a little messy. But really, I remember getting to the end and yelling "oh snaps!" in the comic shop – and having customers stare at me like I was crazy.

7:15 Craig Reade

Monday, August 03, 2009, 8:15:04 PM

Yeah, I think it is safe to say this is awesome. Way better than I expected when I first heard the Inhumans would be involved.

7:15 B. Schatz

Monday, August 03, 2009, 8:15:49 PM
Man, I’ve always like the Inhumans as a concept, but very few people really get them enoughto be interesting. And by very few, I mean, I really liked the first 8 issues of the McKeever run.

7:16 B. Schatz

Monday, August 03, 2009, 8:16:07 PM
But I’m also pretty gay for the ‘Keeve.

7:16 Craig Reade

Monday, August 03, 2009, 8:16:39 PM
Yeah, they are definitely "off and on" for me, but hell – I can’t think of anything DnA have done in recent memory that turned me off. They can write these things forever – as long as the Editors (minus Rosemann, of course) stay the heck away.

7:16 Craig Reade

Monday, August 03, 2009, 8:16:56 PM
And yes, your man-crush on Sean McKeever disturbs us all.

7:17 B. Schatz

Monday, August 03, 2009, 8:17:08 PM
*waves and bats eyes*

7:17

Monday, August 03, 2009, 8:17:15 PM

7:17 Craig Reade

Monday, August 03, 2009, 8:17:22 PM

Jonah Hex #45, $2.99, DC Comics. Due Out 07/01/09 ON TIME

Written by Justin Gray & Jimmy Palmiotti, Art by Cristiano Cucina, Colors by Rob Schwager

 

In Part 2 of the Six Gun War, El Diablo arrives and awakens a passed out Jonah Hex. Meanwhile El Papagayo’s men attempt to rape Tallulah Black, but she laughs in their faces. Black and Bat Lash plot their escape, and Hex and Lazarus run into a tribe of Comanche on their way to Mexico who are also interested in taking revenge on Turnbull. Black and Lash attempt their escape, but they don’t get very far.

7:18 Craig Reade

Monday, August 03, 2009, 8:18:06 PM
Nice to see Rape finally get a much deserved cummupance. Perhaps the beginning of a "face-turn?"

7:18 B. Schatz

Monday, August 03, 2009, 8:18:13 PM
To be clear: rape made an appearance in this issue… and got its butt HANDED to him by lots of ugly.

7:18 Craig Reade

Monday, August 03, 2009, 8:18:42 PM
Seriously – just when you think a villain is played out, something entirely new. Well done, P&G

7:19 B. Schatz

Monday, August 03, 2009, 8:19:13 PM
I agree. And I like your train of thought. Hopefully Rape will see the error of its ways and join our heroes against evil.

7:19 Craig Reade

Monday, August 03, 2009, 8:19:26 PM
If only.

7:20 Craig Reade

Monday, August 03, 2009, 8:20:37 PM
Otherwise, a solid continuation of the event… can’t really complain. They have strayed from the usual formula, and it is working out so far. I like the roles Lash and Black are playing, and El Diablo isn’t even boring me. Good stuff… as good as this book has ever been.

7:21 B. Schatz

Monday, August 03, 2009, 8:21:52 PM
I got to the end of this issue and… well, as always, I was really just there to figure out how many Rape jokes we could use, but I was also legitimately wondering if some of the characters would die… which in comics, is a rarity, even when the situation is dire. Kudos!

7:22 Craig Reade

Monday, August 03, 2009, 8:22:14 PM
Rape: The official mascot of the $40 Pull List

7:22 Craig Reade

Monday, August 03, 2009, 8:22:22 PM
Moving on?

7:22 B. Schatz

Monday, August 03, 2009, 8:22:31 PM
Indeed!

7:22

Monday, August 03, 2009, 8:22:50 PM

7:22 Craig Reade

Monday, August 03, 2009, 8:22:54 PM
 

Secret Six #11, $2.99, DC Comics. Due Out 07/01/09 ON TIME

Written by Gail Simone, Pencils by Nicola Scott, Inks by Doug Hazlewood and Mark McKenna, Colors by Jason Wright

 

Mr. Smyth explains to the team that he intends to return slavery to the world as the means of its salvation. Artemis is captured, and her guards consider raping her, only to be stopped by their supervisor. We learn that Artemis is the only one who Mr. Smyth has captured so far that he cannot break. Banshee decides to free Artemis in the middle of the night, but the rest of the Six try to stop her. A fight erupts, only to be broken up when Wonder Woman arrives, insisting to know who killed her sister!

7:23 B. Schatz

Monday, August 03, 2009, 8:23:47 PM
  Oh, snaps, it looks like we’re edging ever so closer to anti-hero territory… I’m not sure if we’ll emerge from this well or not.

7:24 Craig Reade

Monday, August 03, 2009, 8:24:45 PM
  OK, to me this proves it – Gail Simone can’t write Wonder Woman. She used the character for only a page, but her mere presence made this story crumble from start to finish. She couldn’t keep the characters straight, none of them could remain a villain for more than a panel. And why was Artemis even there? Did they actually kill her like that? Isn’t that the very thing Simone rants about with the whole Women in Fridges thing?

7:25 Craig Reade

Monday, August 03, 2009, 8:25:20 PM
  And on top of that, simone had to steal from Palmiotti and Gray, and Rape once again got his butt handed to him. Horrible stuff. Why was that even there?

7:25 Craig Reade

Monday, August 03, 2009, 8:25:46 PM
  I hate it when characters are abused like that, whether they are Artemis or Rape.

7:26 B. Schatz

Monday, August 03, 2009, 8:26:37 PM
  Rape’s been having a tough go, really. And really, after all the overexposure, it was about time he got some hurt put on him… but twice in one month? Is this some kind of Marvel event, crossing over into many books? WTF, DC…

7:27 B. Schatz

Monday, August 03, 2009, 8:27:14 PM
  I still like the book, though – much better than I ever enjoyed Wonder Woman… and I’m willing to see this plot a bit further before making a final decision.

7:27 Craig Reade

Monday, August 03, 2009, 8:27:15 PM
  That whole confrontation with Deadshot wanting to pick up the corpse made no sense to me… ok, a lot of these characters are leaning more "anti-hero" than villain now, but that whole scene was an odd place to make a stand.

7:27 B. Schatz

Monday, August 03, 2009, 8:27:48 PM
  Yeah, I wasn’t sure I got that either. Thought it might be some deep seated continuity thing or whatnot.

7:29 Craig Reade

Monday, August 03, 2009, 8:29:04 PM
  Maybe. Maybe… but it still didn’t make sense in terms of the story. These are characters that are supposed to have egos. Why would they object when their employer told them that they were too good for menial work? Why would they care about any of the moral issues that got raised? No sense at all. Hopefully the story will shape up once Wonder Woman exits from the plot.

7:29 B. Schatz

Monday, August 03, 2009, 8:29:45 PM
  Hopefully. But for know, I still feel like we’re still closer to the rails than the ditch, so… onwards!

7:29

Monday, August 03, 2009, 8:29:53 PM

7:29 Craig Reade

Monday, August 03, 2009, 8:29:56 PM
 

Green Lantern Corps #38, $2.99, DC Comics. Due Out 07/01/09 ON TIME

Written by Peter J. Tomasi, Pencils by Patrick Gleason, Inks by Rebecca Buchman   & Tom Nguyen, Colors by Randy Mayor & Gabe Eltaeb

 

The Alpha Lanterns mop up, Soranik talks to Iolande about Sinestro’s revelation (and tries to get rid of the mark on her face), Daxam goes into full revolt and Mongul contemplates pulling out, and the Alpha Lanterns start to execute prisoners, something Guy and Kyle strongly object to. Guy and Kyle are “reassigned” for their actions, and the Black Corps emerges.

7:31 B. Schatz

Monday, August 03, 2009, 8:31:19 PM
  I had a customer complain that there was *too* much going on in this book… but I wasn’t quite sure what he was getting at. Things progressed in each instance, and now, we’re heading face deep into some hardcore Blackest Night stuff. And with Tomasi steering, I think we might get a better story here than elsewhere… who knows!

7:32 Craig Reade

Monday, August 03, 2009, 8:32:59 PM
 

This was definitely a nice lead-in to Blackest Night – unfortunately, Blackest Night #1 kind of dropped the baton. I suppose we can get into that later, though. I suppose the heightened conflict between the Lanterns and the Guardians helped to weaken the Green Lantern Corps to even the playing field a bt with the upstart color Corps, but it seems a bit heavy handed. I do think that too much has been happening in this title for months now, but it has had something of a "by the seat of your pants" feel. It worked… chaotic, I can understand some having issues with it, with so many characters with plots at the same time, but it has been handled as well as you could expect. Of course, some of that segues into my Blackest Night commentary, so I will hold it for now.

7:33

Monday, August 03, 2009, 8:33:44 PM

7:33 Craig Reade

Monday, August 03, 2009, 8:33:52 PM
 

Invincible Iron Man #15, $2.99, Marvel Comics. Due Out 07/01/09 ON TIME

Written by Matt Fraction, Art by Salvador Larroca, Colors by Frank D’Armata

 

Tony comes to his senses in the nick of time, sparing Pepper’s life. The Black Widow refuses to help Maria, but Maria’s pursuit attracts the attention of HAMMER, which changes her mind. Tony and Pepper hide out, but Madam Masque stalks them.

7:34 B. Schatz

Monday, August 03, 2009, 8:34:41 PM
  Man, you know what’s depressing? Super hero Alzheimer’s. Seriously.

7:35 B. Schatz

Monday, August 03, 2009, 8:35:00 PM
  But! There is some boning. So… Tony Stark is coming out even.

7:35 B. Schatz

Monday, August 03, 2009, 8:35:15 PM
  You know, minus the crippling brain loss.

7:35 Craig Reade

Monday, August 03, 2009, 8:35:52 PM
  I liked how Fraction  likened what is happening to Tony, but this needs to pick up. The only thing of note that really happened was the Pepper Potts/Tony Stark alluded liason… and I am not especially a fan of that at all. Fraction does need to get this story moving – it has dragged on way too long. Too much filler.

7:36 B. Schatz

Monday, August 03, 2009, 8:36:39 PM
  Well, there’s only… 3? 4 parts left now? We’re entering the third act, and now we get to find out just how Tony comes out of this… if he does…

7:37 Craig Reade

Monday, August 03, 2009, 8:37:00 PM
  I am sure he will- there is another movie on the way, after all…

7:37 Craig Reade

Monday, August 03, 2009, 8:37:22 PM
  And no doubt another Marvel event on the horizon that will screw everything up even more.

7:37 Craig Reade

Monday, August 03, 2009, 8:37:53 PM
  Anyway, it is still good – its just been so good lately that it is too easy to focus on relatively minor flaws like some story padding.

7:38 B. Schatz

Monday, August 03, 2009, 8:38:04 PM
  I been saying this for a while now: Dark Reign ends with Thor, Steve Rogers and Tony Stark storming Asguard, and pulling out a win.

7:38 Craig Reade

Monday, August 03, 2009, 8:38:22 PM
  We will see, we will see…

7:38 B. Schatz

Monday, August 03, 2009, 8:38:43 PM
  Dark… Seige of Heroes and… and… dammit, I couldn’t think of anything entertaining… let’s move on from this shameful moment…

7:38 Craig Reade

Monday, August 03, 2009, 8:38:56 PM
  Heh, Rape?

7:39 B. Schatz

Monday, August 03, 2009, 8:39:07 PM
  Dammit! Just… just move on!

7:39

Monday, August 03, 2009, 8:39:12 PM

7:39 Craig Reade

Monday, August 03, 2009, 8:39:16 PM
 

Deadpool: Merc With a Mouth #1 (of 6), $3.99, Marvel Comics. Due Out 07/01/09 ON TIME

Written by Victor Gishler, Art by Bong Dazo, Colors by Matt Lilla, Inks by José Pimentel

 

Deadpool is hired by AIM to pick up a package in the Savage Land. After re-entry, Deadpool runs into KaZar, who shows him a statue that some of the natives are carving of him. Deadpool finds his AIM contact, one Dr. Betty Swanson (the hot archeologist type), and the pair are captured by the savages. Deadpool comes face to face with the “package” – a talking severed head, wearing one of his masks!

7:39 Craig Reade

Monday, August 03, 2009, 8:39:33 PM
  Ill say  - AIM has its fair share of "hot chick scientists."

7:40 B. Schatz

Monday, August 03, 2009, 8:40:56 PM
  It sure does. But seriously, I was one over with this book when Deadpool asked for honey. The gratuitous sexy scientist was being drawn a little too come-hither in parts… which seems like an odd thing to say, but really… the things she did. There has to be a better way to pick up objects that won’t contrort your bone structure.

7:41 Craig Reade

Monday, August 03, 2009, 8:41:37 PM
  Well, this book is supposed to have humor, so I suppose a little over-the-top tartiness works a bit. So who’s the head – the zombie-verse Deadpool?

7:42 Craig Reade

Monday, August 03, 2009, 8:42:08 PM
 

The beekeeper cracks were a nice bit of continuity to be sure.

7:42 B. Schatz

Monday, August 03, 2009, 8:42:17 PM
  Yup! As seen in Marvel Zombies 4! Hopefully, we won’t need to know what happens there to get what’s going on here…

7:42 Craig Reade

Monday, August 03, 2009, 8:42:36 PM
  Well, I stopped reading Marvel Zombies ages ago, and I got it, so it can’t be that bad.

7:42 B. Schatz

Monday, August 03, 2009, 8:42:53 PM
  Awesome!

7:42

Monday, August 03, 2009, 8:42:58 PM

7:43 Craig Reade

Monday, August 03, 2009, 8:43:06 PM
 

Blackest Night #1 (of 8), $3.99, DC Comics. Due Out 07/15/09 ON TIME

Written by Geoff Johns, Pencils by Ivan Reis, Inks by Oclair Albert, Color by Alex Sinclair

 

The Green Lanterns prance around on Earth for a bit, we get a quick flash of a bunch of dead heroes all over Earth, Bruce Wayne’s body is discovered missing, Barry Allen and Hal Jordan pick up their whining session from Flash Rebirth and sob about time missed, and the Black Lanterns finally strike and kill the Hawks as the War of Light erupts.

7:44 B. Schatz

Monday, August 03, 2009, 8:44:40 PM
  I actually enjoyed this book. It definitely wasn’t Shakespeare, and some of the lines had a Peter David level of winkery to them, but in the end, I felt pretty good about the whole thing. I know you have other idears.

7:45 Craig Reade

Monday, August 03, 2009, 8:45:00 PM
  Here is my number one gripe here – we have months and months of event build with at least a dozen major plot points for various characters across all color spectrums, and the entire first issue shoves all of those characters aside to focus on the more important heroes of Earth.

7:45 Craig Reade

Monday, August 03, 2009, 8:45:42 PM
 

Nothing that happened in the Prelude to Darkest Night meant a damn thing here… this story reeked of editor involvement and was only slightly better than the trainwresk that was Flash Rebirth.

7:46 B. Schatz

Monday, August 03, 2009, 8:46:47 PM
  I’m not so mad about that, actually. Those plots will be dealt with in Green Lantern Corps, is what I took from it – and from the stand point of selling comics, having to know nothing about what’s gone on before going into this helped us sell more of these babies than what we move of GL… which is what you want for an event.

7:46 Craig Reade

Monday, August 03, 2009, 8:46:59 PM
  I’ll say it – I don’t give a crap what the Flash has to say. I care more about Guy, Kyle, Kilowog, hell – even Sinestro. A couple pages to introduce some Black Lanterns, and move on. Don’t even get me started about the sensational and crappy way the Hawks bit the dust. The only good thing about this issue was the Sue and Ralph Black lanterns.

7:47 Craig Reade

Monday, August 03, 2009, 8:47:31 PM
  Seriously – this was Bendis over-padding mixed with Mark Millar sensationalism. A bad mix.

7:47 B. Schatz

Monday, August 03, 2009, 8:47:33 PM
  I will say that between here and Flash Rebirth, there’s been too many comics featuring Barry Allen and Hal Jordan talking about how much they hate being superheroes.

7:48 Craig Reade

Monday, August 03, 2009, 8:48:15 PM
  Nothing new at all. Not a fan. I seem to be alone, but I am comforted by the fact that the majority of people seem to like Britney Spears and All Star Batman and Robin.

7:48 B. Schatz

Monday, August 03, 2009, 8:48:42 PM
  Tell me bay-bay, cuz I need to know now, oh, because….

7:48 B. Schatz

Monday, August 03, 2009, 8:48:53 PM
  My loneliness… is killing me… AND I…

7:49 B. Schatz

Monday, August 03, 2009, 8:49:02 PM
  …oh God… why???

7:49 Craig Reade

Monday, August 03, 2009, 8:49:32 PM
  Careful now, you already lost your geek card… well wait, you lost your man card to the Gilmore Girls long ago, so I guess you have nothing to worry about.

7:50 B. Schatz

Monday, August 03, 2009, 8:50:08 PM
  Dang rights. Plus? Those ladies were super hot. I stand by my love of all things Gilmore.

7:50 Craig Reade

Monday, August 03, 2009, 8:50:18 PM
  OOOOkkk then…

7:50 Craig Reade

Monday, August 03, 2009, 8:50:27 PM
  Let’s move on before this gets fugly.

7:50

Monday, August 03, 2009, 8:50:30 PM

7:50 Craig Reade

Monday, August 03, 2009, 8:50:35 PM
 

Power Girl #3, $2.99, DC Comics. Due out 07/22/09 ON TIME

Written by Jimmy Palmiotti & Justin Gray, Art by Amanda Conner, Colors by Paul Mounts

 

Power Girl breaks free of the Ultra Humanite’s control, and she enlists the aid of Terra to help her lower the island to safety.

7:50 B. Schatz

Monday, August 03, 2009, 8:50:58 PM
  Hey! It’s bring in the character we created month! Yayyy!

7:51 B. Schatz

Monday, August 03, 2009, 8:51:27 PM
  Granted, not the name, but still. A fine line needs to be walked when bringing in your own creations. Just because never really does it for me…

7:51 Craig Reade

Monday, August 03, 2009, 8:51:40 PM
  At least that made sense… a little more than the gratiutous Wonder Woman appearance in Secret Six…

7:51 Craig Reade

Monday, August 03, 2009, 8:51:56 PM
  If you need to get a big hunk of Earth to the ground safely, who else do you call?

7:52 B. Schatz

Monday, August 03, 2009, 8:52:10 PM
  Geoforce?

7:52 Craig Reade

Monday, August 03, 2009, 8:52:26 PM
 

Not dead?

7:52 B. Schatz

Monday, August 03, 2009, 8:52:42 PM
  Nope. Actually, hanging out with Alfred in the Outsiders.

7:53 Craig Reade

Monday, August 03, 2009, 8:53:23 PM
 

Overall, this arc was really light. I daresay maybe lighter than we needed for Power Girl… but still enjoyable. In a popcorn kinda way.

7:54 B. Schatz

Monday, August 03, 2009, 8:54:24 PM
  I agree, it wasn’t *terrible*… it’s just the character thing is something I really, really don’t like. Hardly ever. But yeah, this book is a great popcorn read… nothing really wrong with keeping it going forward at all.

7:54 Craig Reade

Monday, August 03, 2009, 8:54:38 PM
  Indeed.

7:54

Monday, August 03, 2009, 8:54:43 PM

7:54 Craig Reade

Monday, August 03, 2009, 8:54:48 PM
 

Avengers: The Initiative #26, $2.99, Marvel Comics. Due Out 07/22/09 ON TIME

Written by Christos N. Gage, Pencils by Rafa Sandoval, Inks by Roger Bonet, Colors by Edgar Delgado.

 

Osborne announces that the Initiative will continue, and the press is shocked to see that 4 new teams are comprised almost entirely of villains. The “New Warriors” are on the run from the police. Trauma and Taskmaster do some preliminary work with Penance, and the Shadow Initiative is expanded.

7:55 B. Schatz

Monday, August 03, 2009, 8:55:41 PM
  You know, I’m still not feeling this. Partly due to Penance still being Penance. I was done with that ages ago.

7:56 B. Schatz

Monday, August 03, 2009, 8:56:30 PM
  Bring me Squirel Girl and Gravity and the GLI. Seriously, a McKeever character joins the Wisconson based GLI? It was like Gage KNEW the book we WANTED to read, and then gave us this instead.

7:56 Craig Reade

Monday, August 03, 2009, 8:56:37 PM
  I was done with that before they even made him Penance. I am not enjoying it. Still – it’s well written, but I keep hoping that Gage will just rush through it and get this book on some kind of independent footing.

7:57 Craig Reade

Monday, August 03, 2009, 8:57:41 PM
  I said it earlier, but this also reeks of editor involvement. This is why I am not a fan of the constant event season… it dictates the story in way too many titles. And in this case, it has wiped out everything that was solidly established, and its barely hanging on thanks to some great writing.

7:57 B. Schatz

Monday, August 03, 2009, 8:57:44 PM
  The art is great, the story is capable, but I’ve been reading this in a million places for a while now, and I’m ready to move on…. post haste and whatnot.

7:58

Monday, August 03, 2009, 8:58:16 PM

7:58 Craig Reade

Monday, August 03, 2009, 8:58:21 PM
 

Nova #27, $2.99, Marvel Comics. Due Out 07/22/09 ON TIME

Written by Dan Abnett & Andy Lanning, Art by Andrea DiVito, Colors by Bruno Hang.

 

Nova, Morrow, and Irani, while searching for Robbie,   stumble upon portals that are ferrying in troops from the Negative Zone, to bolster Vulcan’s forces. Robbie attempts to restrain Strontian, but he is barely strong enough to hold her. She finally breaks free, and Nova loses contact.

7:58 Craig Reade

Monday, August 03, 2009, 8:58:38 PM
  Robbie has a bad-ass moment… awesome!

8:00 B. Schatz

Monday, August 03, 2009, 9:00:05 PM
  Seriously, if you said I’d be reading Nova and actively enjoying it before Annihilation hit, I would’ve punched you square in the gullet. But… like we said with War of Kings… DnA are too dang solid to let a title lag… whether an event hits, like Secret Invasion, or if an organic one comes about, like this War of Kings. And bonus points? You can just read this, and be perfectly content with the story that you get.

8:00 B. Schatz

Monday, August 03, 2009, 9:00:21 PM
  Plus, yes! Badassery abounds!

8:00 Craig Reade

Monday, August 03, 2009, 9:00:26 PM
  I probably did say something to that effect, but I have always loved me some Nova.

8:00 Craig Reade

Monday, August 03, 2009, 9:00:50 PM
  I love how this ties into War of Kings… but maintains its own story that really is independent. Good stuff to be sure.

8:01 B. Schatz

Monday, August 03, 2009, 9:01:44 PM
  It helps when just one creative team is writing all the moving parts to an event. But how they managed to do this, Guardians, Assension AND The Authority and make them all read perfectly fine on their own is beyond me.

8:02 B. Schatz

Monday, August 03, 2009, 9:02:00 PM
  Except for The Authority. I understand why THAT doesn’t tie in…

8:02 B. Schatz

Monday, August 03, 2009, 9:02:06 PM
  Or DOES it.?????

8:02 Craig Reade

Monday, August 03, 2009, 9:02:20 PM
  I hope not. Don’t get me started on Wildstorm

8:02 B. Schatz

Monday, August 03, 2009, 9:02:25 PM
  (To be clear… no. No, it doesn’t.)

8:02 Craig Reade

Monday, August 03, 2009, 9:02:52 PM
 

Well, it’s easy to sum this up – Nova= awesome. period.

8:03 B. Schatz

Monday, August 03, 2009, 9:03:02 PM
  Agreed! Next!

8:03 Craig Reade

Monday, August 03, 2009, 9:03:26 PM
 

Proof #22, $3.50, Image. Due Out 07/29/09 ON TIME

Written by Alex Grecian, Art by Riley Rossmo and Wes Wedman, Colors by Dave Casey and Kelly Tindall

 

Fast forward a bit to Proof telling the story to a kid on an airplane (Why wasn’t this done 4 issues ago?), the scene flashes back in time when Proof is pursuing Julia into Russia. Julia gives birth, but her new son is barely alive. Julia dies, and the child’s father murders him for looking like his mother. He later has the two stuffed, and put on display.

8:03

Monday, August 03, 2009, 9:03:30 PM

8:04 B. Schatz

Monday, August 03, 2009, 9:04:04 PM
  You know, I really like Proof still, but I’m guessing this issue didn’t make any strides in helping you enjoy the characters and whatnot.

8:05 Craig Reade

Monday, August 03, 2009, 9:05:03 PM
  No, I think it is really safe to say that my opinion of this hasn’t changed much. I have to admit, however, that it was slightly better. But we still aren’t done with this story? Ug.

8:05 Craig Reade

Monday, August 03, 2009, 9:05:32 PM
  Let’s move on to next month’s books.

8:05 Craig Reade

Monday, August 03, 2009, 9:05:35 PM
 

- The List So Far

 

Batman and Robin #3, $2.99, DC Comics Due Out 08/26/09

War of Kings #6 (of 6), $3.99, Marvel Comics. Due Out 08/05/09

Jonah Hex #46, $2.99, DC Comics. Due Out 08/05/09

Secret Six #12, $2.99, DC Comics. Due Out 08/05/09

Green Lantern Corps #39, $2.99, DC Comics. Due Out 08/12/09

Invincible Iron Man #16, $2.99, Marvel Comics. Due Out 08/05/09

Deadpool: Merc With a Mouth #2 (of 6), $2.99, Marvel Comics. Due Out 08/05/09

Blackest Night #2 (of 8), $3.99, DC Comics. Due Out 08/12/09

Power Girl #4, $2.99, DC Comics. Due out 08/19/09

Avengers: The Initiative #27, $2.99, Marvel Comics. Due Out 08/26/09

Nova #28, $2.99, Marvel Comics. Due Out 08/26/09

Proof #23, $3.50, Image. Due Out 08/26/09

8:05 Craig Reade

Monday, August 03, 2009, 9:05:43 PM
 

And a little math…

8:06 Craig Reade

Monday, August 03, 2009, 9:06:21 PM
 

Preliminary Math

 

$2.67 (Bank from July) + $40 (August Budget) = $42.67

$42.67 – $38.39 (August  issues) – $2.98 (tax) = $1.30

$1.30 doesn’t give us any room for a new book, so we definitely need to cut something. I am sure you have guessed that my pick is Proof.

8:06 B. Schatz

Monday, August 03, 2009, 9:06:44 PM
  And you know, I’m with you. I still enjoy it, but there’s nothing really amazing keeping it on the list, is the thing.

8:07 B. Schatz

Monday, August 03, 2009, 9:07:16 PM
  Man, one of these days, we’re going to have a drag out, fist fight to see what book gets cancelled. That’s going to be fuuuuunnn…

8:07 Craig Reade

Monday, August 03, 2009, 9:07:25 PM
  I can see this book might be good if we didn’t hit a 300 issue flashback, but I think it is time to go.

8:07 Craig Reade

Monday, August 03, 2009, 9:07:50 PM
  No doubt, no doubt. But then, we haven’t seen that day yet!

So then, what remains is a new book. Suggestions?

8:07 B. Schatz

Monday, August 03, 2009, 9:07:54 PM
  Buh-bye, stovepipe hat bigfoot. You will be missed.

8:08 B. Schatz

Monday, August 03, 2009, 9:08:23 PM
  Hurmm… let’s see… uh… howsabout the NEW GHOST RIDERS BOOK FROM JASON AARON!

8:08 Craig Reade

Monday, August 03, 2009, 9:08:33 PM
  Hrmmmm let me think…

8:08 Craig Reade

Monday, August 03, 2009, 9:08:40 PM
 

Ghost Rider: Heaven’s Fire #1 (of 6), $3.99, Marvel Comics. Due out 08/05/09

8:08 Craig Reade

Monday, August 03, 2009, 9:08:51 PM
  Done. No arguments.

8:09 B. Schatz

Monday, August 03, 2009, 9:09:38 PM
  Yesssss! Which, we should note – means we have officially dropped Hellboy: The Wild Hunt… as it continues this month too.

8:10 Craig Reade

Monday, August 03, 2009, 9:10:32 PM
  Yeah, I had no desire to pick that one up. So in conclusion..

8:10 Craig Reade

Monday, August 03, 2009, 9:10:43 PM
 

 

Batman and Robin #3, $2.99, DC Comics Due Out 08/26/09

War of Kings #6 (of 6), $3.99, Marvel Comics. Due Out 08/05/09

Jonah Hex #46, $2.99, DC Comics. Due Out 08/05/09

Secret Six #12, $2.99, DC Comics. Due Out 08/05/09

Ghost Rider: Heaven’s Fire #1 (of 6), $3.99, Marvel Comics. Due out 08/05/09

 

Green Lantern Corps #39, $2.99, DC Comics. Due Out 08/12/09

Invincible Iron Man #16, $2.99, Marvel Comics. Due Out 08/05/09

Deadpool: Merc With a Mouth #2 (of 6), $2.99, Marvel Comics. Due Out 08/05/09

Blackest Night #2 (of 8), $3.99, DC Comics. Due Out 08/12/09

Power Girl #4, $2.99, DC Comics. Due out 08/19/09

Avengers: The Initiative #27, $2.99, Marvel Comics. Due Out 08/26/09

Nova #28, $2.99, Marvel Comics. Due Out 08/26/09

8:10 Craig Reade

Monday, August 03, 2009, 9:10:52 PM
 

- The Math

 

$2.67 (Bank from July) + $40 (August Budget) = $42.67

$42.67 – $38.88 (August  issues) – $3.01 (tax) = $0.78 banked for September

8:11 B. Schatz

Monday, August 03, 2009, 9:11:43 PM
  Rockin! Maybe next time, we’ll get around to the Rape or No Rape joke. I like that one.

8:13 Craig Reade

Monday, August 03, 2009, 9:13:01 PM
  And with that, I think we need to say goodbye!

8:13 B. Schatz

Monday, August 03, 2009, 9:13:12 PM
  Say goodnight Gracie!

8:13 Craig Reade

Monday, August 03, 2009, 9:13:17 PM
  c-o-m-i-x-t-r-e-mmmmmm-e….

8:14 Craig Reade

Monday, August 03, 2009, 9:14:10 PM
  Goodnight Gracie

8:14

Monday, August 03, 2009, 9:14:15 PM
 

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