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December 28, 2004

Off the Cuff #12 – Ambiguous Genders?

Filed under: Off the Cuff — Craig Reade @ 10:20 am

Off the Cuff – Edition 12
By Eric Barrett
Comics, Cartoons, and all things related

*Let me start out with something a bit controversial. Well, not really, maybe it’s just not politically correct. But it’s something that has been bothering me for a while, and maybe we can get some answers.

Why is it that characters in anime often have ambiguous genders?

There are numerous shows that have a character that you can’t tell their gender by either looking at them or listening to them. Initially I thought it might be representative of a certain genre within anime, but as far as I can tell it covers them all. The best example I can think of right now comes from Cowboy Bebop. There is a character named ‘ Edward’ who looks like a 14-ish-year-old boy. In fact I thought Ed was a boy for almost the entire series (I missed the episode where Ed joined the crew). Well it turns out Ed isn’t a he at all, but a she. What tipped me off was the episode Ed wore a dress.

It’s only in a few episodes that they even mention it. So it’s not like it’s some clever joke. It isn’t even important to the plot of the show. They just seemingly wanted to have a gender-ambiguous character.

So is this a new trend? Is there some kind of traditional Japanese art that has this gender tradition? Did one popular cartoon start the trend, and everyone else is just copying? Does anyone even know why this has taken place?

*Thanks, I feel better now that that’s out of the way.

*A little comic book movie news? Sure.

- Sheldon Turner has been tapped to write the next (assuming there is one) Magneto movie. Rumor has it this movie will be a ‘beginnings’ sort of flick. It will cover the early friendship of Magneto and Charles Xavier.

My initial reaction is that this might be too confusing for the typical comic book movie fan. Most people who go to the movies have no clue about comic book histories. But I suppose a well told story is always a good story. So we will have to see.

- Ghost Rider is also being made into a movie. Despite some of my misgivings, about the increase of superhero movies, I’m kind of looking forward to this one. I’ve always liked Ghost Rider, and with today’s special effects, I think this is one that could turn out pretty well. Production is supposed to start in January, so we shall see how it goes.

One cautionary note: Rumor has it that Nicholas Cage will be in this movie, and that’s probably not a good sign.

*Something a bit off topic: I often use Yahoo Messenger to listen to music at work (I work in a building that isn’t kind to radio signals). Anyway, LAUNCHCast (the Yahoo music service) has started putting ads into their song broadcasts. There’s nothing wrong with that, after all, that’s capitalism. However, they are going about it all wrong. They offer the user (that’s me) a choice of what music to listen to. Well then they force you to listen to ads for music that doesn’t fit your selected genre. If I’m listening to rock music, I don’t really care if 2pac has another album coming out.

Yahoo is missing out on a perfect opportunity to use targeted advertisements (the most effective kind). And frankly it’s annoying listening to 2pac or Eminem tell me that I should buy their stuff.

*So Vegeta goes from a fully clothed Saiyan to a giant ape, and then finishes his transformation into a Super Sayian 4. Well, where did his pants come from? Or for that matter his gloves?

*In my last column I mentioned some games and toys from my childhood. Well TV Cream has kindly supplied us with a list of 100 top toys from our childhood. Definitely worth a look.

*And in case you are looking for that one last gift for yourself (because the long underwear just isn’t cutting it), might I suggest Other People’s Heroes? A great book that I highly recommend.

*Well I hope everyone had a Merry Christmas and have some fun plans for New Year’s Eve. Until next time!

The opinions stated in here solely reflect the opinions of the author. If you would like to comment on some of the items in this article, please feel free to post in the forum or send an e-mail. All characters, titles, and etc. are owned and © their respective publishers and creators- the author and StillontheShelf.com makes no claim towards them. This column is intended as an opinion piece only. Off the Cuff is © Eric Barrett. Please report any broken links!

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December 27, 2004

Still on the Shelf #84 – Slingers

Filed under: Still on the Shelf — Craig Reade @ 12:39 pm

Before I get started this week, I would like to let you all know that this is going to be the last “official” version of Still on the Shelf to appear on Comixtreme. It has been a fantastic couple of years there, and I wouldn’t give them back for anything, but the time has come for me to try a little something different with Still on the Shelf, which means I must move on. I just thought I would take this chance to say thank you for reading and give a big thanks to everyone who has given me a chance to have this little outlet here (you know who you are), I do appreciate it. And to anyone who followed this column from there to here, a big fat welcome to you! Enjoy your stay!


Wolverine #23One thing I have been fretting about over the past few weeks was an appropriate topic for this week’s important column. Well, this past Wednesday, one was handed to me that I felt couldn’t be more perfect. If I may share with you, the very first paragraph of March 25th, 2003’s Still on the Shelf #1

I (and I know many of you) have seen many of my pet favorite comics get cancelled with no ceremony. We all know that most X-titles, the major Batman books, and all other titles of that nature are relatively safe from cancellation no matter how bad things get. Their sales are typically too high to worry about getting the axe. However, books like some of my favorites, Slingers, for instance, will get cancelled no matter how much promise they show due to low sales, corporate re-invention, or any other excuse you can possibly imagine. We have all had this happen to us at one time or another.

Slingers #0Yup – I am one of those Slingers people. You probably come across us from time to time. We are the ones who are always carrying the torch for the tragically short 1998 series (My, my, has it been so long?). We are the ones when discussing those series which we thought were amazing, but got cancelled due to “low sales,” always have to bring up Slingers. We are the ones who, every time ChrisCross comes up in conversation, have to add how much we miss Slingers. We are the ones who aspire to become a skilled and popular comic book writer, simply so that we can convince Marvel to let us have a crack at the Slingers. To bring them back.

So what was it that made me decide to talk about Slingers this week, of all weeks? Well, those of you who read Wolverine, or at least has seen some of the conversations about issue #23 this week might know that we lost one of the Slingers this week, something has seemingly plunged a stake into any hopes of a return for the series. Aside from Hornet’s death itself, the thing that bugs me the most was the way that the death itself was handled in the comic. But I will get into that later.

Wolverine #23When it came to the reaction to Wolverine #23, I was kind of shocked by the almost lack of buzz surrounding the death. We all know that among comic fans, when a character is killed, no matter how well the death was written by the writer, no matter how appropriate or noble it was, there is always discussion. Always debate. Always that group of people who think that despite how well the death was presented that it was WRONG to kill that character. In this instance, we have a death which could not have been handled worse, yet very few people seem agitated by it at all.

It finally occurred to me that either most people didn’t care about the Slingers one bit, or they simply had no idea who Hornet even was. Now I am not the kind of person that would judge anyone poorly for not liking the same things that I do – and this is no exception. I bear no ill will towards those that don’t share my view of Slingers. I did think, however, that this would be an ideal chance to share with everyone my thoughts and knowledge about the Slingers, and maybe get a few people to remember this series, and maybe even to agree that the way Hornet was written off in this week’s Wolverine was a bad, bad thing. I can hope, in any case.

Cast of Characters

Slingers #11Ritchie Gilmore, a wrestler at ESU, takes his assignment as Prodigy very seriously. He has a strong but stubborn personality, and sees himself as the leader of the group. However, unlike most great leaders, Ritchie can’t relate well with those he hopes will follow him. Instead of inspiring the rest of the Slingers, Ritchie often tries to force them into obedience, with less than stellar results. He sees his team’s unwillingness to follow his lead, and perform and act as he would have them a weakness, and weakness is not something that goes hand in hand with the work of a hero. He is constantly on the verge of leaving and going solo, but he has a tremendous sense of loyalty that keeps his bitterness in check. Prodigy has no natural “powers” of his own, but his suit gives him the ability of limited flight (quite possibly “Hulk-like jumping,” it is never clearly defined), super strength, and is bulletproof – all powers granted to him by his costume, which is of unknown origin.

Cassie St. Commons was the daughter of a rich, socialite couple. Rebelling against her parents, Cassie became something of a “Goth chick,” with all of the attitude and looks that go along with that. Early in her training as Dusk, Cassie slipped (or stepped- may have been suicide) off the ledge of a building, and fell to her death. She returned to life with a set of strange and not-yet fully-explored powers, including teleportation, a semi-psychic connection to those she cares about, and a few devastating offensive attacks. Cassie is involved in something of a love triangle with two of her teammates – though she is aware of Eddie’s feelings towards her, she finds herself attracted to Johnny, who is dating someone else.

Amazing Spider-Man #435Johnny Gallo, Ricochet (called Rico for short), is a Brooklyn native whose mother was murdered when he was very young. He is also a mutant – something he doesn’t like to talk about very often, and struggles to keep a secret. He can sense danger, not unlike Spider-Man’s “Spider-sense,” has a heightened agility, and can jump very high. He uses various bouncing disks as weapons, something his teammate Hornet is constantly redesigning and improving for him. Johnny at first tried to hide his life as Ricochet from his girlfriend, but he did not do a very good job, and she eventually found out. He also has a very troubled relationship with his father who is cold and uncaring towards him, and has been that way ever since the death of his mother.

Eddie McDonough was normally a shy, unconfident person, something that came from growing up crippled. One of his arms is crippled – palsied, and completely useless to him. That is, until he puts on the gauntlets from his Hornet costume – these give him full use of both arms, something Eddie found to be very liberating. As Hornet, Eddie also has the ability to fly, and he can fire a tazer-like “Hornet’s Sting” from his gauntlets. Eddie is a mechanical wizard, and is often seeking to improve his own costume, and his friend and teammate Ricochet’s disks. Despite the confidence boost he has gotten from being Hornet, he is still shy and non-confrontational as ever outside of his costume. Hornet appears to have been killed by Wolverine in the recent Wolverine #23.

Issue Synopses

Peter Parker/Spider-Man #92Spider-Man: Identity Crisis
Sensational Spider-Man #26-28. – Written by Tom DeFalco, Penciled by Joe Bennett, Inked by Bud LaRosa, Colored by Bob Sharen, and Letters by RS & Comiccraft’s Kiff Scholl. $1.99
Amazing Spider-Man #433-435. – Written and Penciled by Todd Dezago and Mike Wieringo, Inks by Rich Case, Colors by Gregory Wright, and Letters by RS & Comiccraft’s Kiff Scholl. $1.99.
Peter Parker, Spider-Man #90-92. – Written by Howard Mackie, Penciled by John Romita Jr., Inked by Scott Hanna, Colored by Gregory Wright, and Letters by RS & Comiccraft’s Kiff Scholl. $1.99, and
Spectacular Spider-Man #256-258. – Written by John Marc DeMatteis, Pencils by Luke Ross, Inked by Al Milgrom and Dan Green, Colored by John Kalisz, and Letters by RS & Comiccraft’s Kiff Scholl. $1.99.

After a $5 million bounty is put out for the web-slinger, Peter Parker finds it nearly impossible to venture out as Spider-Man without someone attempting to collect on his head. He takes on a quartet of different new identities – Ricochet, Hornet, Dusk, and Prodigy- so that he can go out and clear his name, and find the identity of the true culprit behind the beating of Norman Osborne. With the name of Spider-Man cleared, and the $5 million bounty lifted, Peter Parker retires his four alternate identities, closing the book on their short careers. Or so he thought.

Slingers #0Written by Joseph Harris, Penciled by Adam Pollina, Inked by Jimmy Palmiotti, Colored by Kevin “Stick” Tinsley, Lettered by RS & Comicraft’s Liz Agraphiotis. Free with purchase of Wizard.

This issue served mostly as an introduction to the new heroes who have picked up Spider-Man’s discarded identities – giving a brief overview of their names and powers. Of note in this preview issue is the fact that it is the only issue in which Dusk is actually alive. The action in this issue surrounds a simple gaps between buildings. To each of the three men on the team, this distance is easy enough to traverse by using their powers. Dusk on the other hand – is not having such an easy time of it. Prodigy makes an ultimatum – she makes the jump, or she is off the team.

She doesn’t make the jump. Whether she intended to kill herself or not is in question, but whatever her motivations, this issue ends with Dusk having fallen to her death. Of course, this is far from the end of her story, but it does serve to shake-up the team quite a bit.

Slingers #1aSlingers #1Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $2.99 (4 Variant Editions).

This issue was infamous for reasons beyond being a new #1. Slingers #1 came in four Variant Collector’s Editions, where not just the cover was different, but aspects of the story itself were different from edition to edition. Each edition had certain chunks of the story which were told from the perspective of one of each of the Slingers. It made getting the entire story somewhat challenging – as you had to both buy and flip through all four versions to get the entire story. And interesting idea, but ultimately, a failed one. I never saw that idea used ever again.

A suicide might not seem like something that would attract the attention of Spider-man, but since the victim was wearing the Dusk costume, something all-too-familiar to the web-slinger. The appearances by those wearing costumes he abandoned gets his attention, and he sets out to track down the would-be heroes.

Prodigy breaks up a drug smuggling operation set up by a low-level Maggia by the name of “Jimmy Eyes.” Jimmy Eyes swears revenge on Prodigy for his affront. Hornet stops a domestic violence situation with a couple from his school. However, things get weird when he mistakenly calls the girl by her name. She freaks out (“How did you know my name?”) and runs after her fleeing abusive boyfriend for protection. Ricochet breaks a date with his girlfriend to go out “on patrol,” only to end up saving her later in the night, and meanwhile, in the morgue, Cassie, thought dead, awakens and .. leaves.

Slingers #1bProdigy and Ricochet nearly come to blows over the death of Dusk, and Prodigy’s hostile and militant attitude towards the rest of the team. Prodigy declares that it was better that she died now, than later when it would matter much more, and departs.

The next day, the team comes together to avert a potential disaster. (NOTE: This section is broken up between the four issues, and is told from the perspective of each of the four Slingers in their individual issues). Mac Garrity, a worker for the Transit Authority, opted to commit suicide, instead of dealing with a sickness that is taking over his body. He routed two subway trains to converge on the same track – the very spot where he would be waiting, so that the trains will end his life. Prodigy uses his strength to derail one train, Ricochet manages to derail the other (with less than pretty results), while Hornet was supposed to swoop down and get Garrity off the tracks. Unfortunately, he doesn’t want to be rescued, so he pulls out a pistol and opens fire on Hornet, causing him to crash. Hornet eventually “rescues” the man, who seems strangely angered that he is not dead. Dusk watches the scene unfold from afar, but Bleenks in to rescue a boy who falls from the upper tracks just after the train rescue comes to an end.

Prodigy returns to the old, run-down Atlas Films Studio where we meet the Slingers’ benefactor for the first time – a very old Black Marvel. Ricochet and Hornet converge at their “spot,” to let off some steam, while Dusk still lingers in the background, unwilling to reveal herself to her teammates.

Slingers #2aSlingers #2Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull, Tom Simmons, and Don Hillsman, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99 (2 variant covers).

Spider-Man sees the faces of the remaining three Slingers in the paper attached to a story about the train derailment, and stumbles on to Ricochet riding on a bus. Rico flees, and eventually gets away from Spider-Man by jumping into a Subway train. Meanwhile the Black Marvel sits in his studio, watching movies about himself from years past, reminiscing about the “Golden Age” of heroes.

The Slingers (minus Dusk) go check out the Grand Royal Hotel construction site, which is rumored to be doubling as a maggia operation. Ricochet and Hornet travel through the drainpipes, while Prodigy takes a more direct approach. While in the sewers, Ricochet and Hornet discover that the maggia are planting chemicals of some kind in the basement. Before they can find out more, they are attacked by giant rats. They call Prodigy for help, giving away his position to the maggia that he is spying on at the construction site. The maggia attack, and Prodigy has to flee. Ricochet eventually escapes the sewer, but Hornet is trapped within by a collapsed tunnel. Rico calls for help once again, but Prodigy – angry that his mission was spoiled – crushes his communicator and leaves Rico to his own devices.

A newly “alive” Dusk struggles to regain the memory of her past life and death by visiting her home. Her parents are just receiving the news that their daughter was found dead, and that her body subsequently vanished. This revelation stirs some memory in Dusk about the events surrounding her death.

Slingers #3Slingers #3Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull, Hillsman, Morales, and Candellario, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99.

Rico thinks that Eddie is surely dead beneath the rubble, but Dusk arrives to teleport Hornet to safety. Neither of the guys know exactly how Hornet was saved, they are just both relieved that everything turned out ok. Rico discovers a spider-tracer on his pants, and an exposed Spider-Man reveals himself to the pair. Thinking that Spider-Man wants to ask them about the death of Dusk, the two flee, and Spider-Man pursues. The spectacle nearly causes a traffic accident, so Hornet and Spider-Man briefly come together to prevent a tragedy. Afterwards, the two take off while Spider-Man is left holding up a giant freeway sign.

Dusk briefly manifests herself to Eddie, who breaks down at the sight of her. She begs him not to fear her, and disappears. Meanwhile, Rico’s girlfriend confronts him with her suspicions that it was he who saved her from the attacker, and Prodigy reports his failure at the Grand Royal back to the Black Marvel (now in costume), who praises him for abandoning his weaker teammates.

Slingers #4Slingers #4Written by Joseph Harris, Art by Oscar Jimenez, Eduardo Alpuente, Felix Serrano, and Richard Starkings, Colored by Felix Serrano, Lettered by Comicraft. $1.99.

Rico’s father discovers his copy of the Black Marvel Strikes, and decides to watch it for old time’s sake.

Meanwhile, at the opening of the new Grand Royal, The Black Marvel sets his plans in motion with Prodigy impatiently waiting in the wings for his mentor’s signal. Hornet and Ricochet rush to the hotel, having figured out that something is not right with their “mentor’s” plans. Dusk has a brief encounter with Spider-Man at the scene of her death which leaves the wall-crawler somewhat confused and unsettled.

Hornet and Ricochet arrive and come to blows with Prodigy, who believes they are getting in the way of their mentor’s wishes. Rico is thrown off the roof of the hotel (to be later saved by Dusk), and Hornet and Prodigy take their fight into the hotel. Hornet’s argument and an attack by some maggia thugs plant enough doubt in Prodigy to question what is going on, so Prodigy takes off to see what is in the basement.

Finally, the Black Marvel sets off a string of bombs in the hotel, and then “arrives to save the day.”

Slingers #5Slingers #5Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull, Colored by Jean Segarra-Rosa, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99.

Fire erupts throughout the hotel, and The Black Marvel is stunned that no one seems willing to allow him to save them. The four Slingers eventually come together and reject, en mass, the actions of their mentor, and spring to action to save the lives of the people in the collapsing hotel. Prodigy holds the building up long enough for everyone to escape, and gives his cape to Hornet to wrap around a child to protect him. The building collapses with Prodigy still inside. Among those rescued is Rico’s girlfriend, who tricks him into revealing to her his identity.

Peter Parker pays a visit to his attic, where he finds his original Prodigy, Dusk, Ricochet, and Hornet costumes still safely tucked away in a chest.

Slingers #6Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99.

A mostly character driven issue in which Hornet, Ricochet, and Dusk come to grips with everything that has happened to them over the past six issues. The “love triangle” is introduced here for the first time, and Hornet catches Dusk plant a kiss on a shocked Ricochet.

Prodigy, meanwhile, pulls himself from the rubble of the hotel. His suit protected him from the fire, it seems, and search parties never discovered his body. Prodigy tries to decide what to do next. Meanwhile, deep in the subway system, Jimmy Eyes comes face to face with The Griz.

Slingers #7Slingers #7Written by Joseph Harris, Penciled by Greg Luzniak, Inked by Bob Almond with Jimmy and Peter Palmiotti, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99.

Remember the giant rats from issue #2? Well, they make an appearance here again, this time, taking out an unlucky city worker. Their search broadens, and they finally find the one they are looking for – Eddie (minus his Hornet uniform), who they drag down a manhole and into the sewers. Dusk senses Eddie’s distress, and bleenks over to get Ricochet to go and help him. Dusk and Ricochet find a pair of the giant sewer rats in Eddie’s dorm room, and follow them to where Eddie is being held and tortured by The Griz.

Slingers #8Written by Joseph Harris, Penciled by Greg Luzniak, Inked by Bob Almond with Candelario and Minor, Colored by Felix Serrano, Lettered by RS & Comicraft’s Liz Agraphiotis. $1.99.

Slingers #8With Eddie secured as a hostage, The Griz tells his story to Cassie. It seems that The Griz is actually one Mac Garrity, the very same man who was rescued by Hornet back in issue #1. Garrity was hired to do some work on the Grand Royal Hotel construction. While working in the basement, one of the barrels of nuclear waste that the Maggia were storing down there fell over and spilled on Garrity. Feeling the transformation into the monster he was not coming on, Garrity decided to kill himself. But Hornet saved him, and the Griz was born. The Griz swore to pay Hornet back for saving him, and forcing him to endure the pain of the transformation, and the loss of what was his life. Dusk, sensing the stand-off, flees for the moment, and The Griz retreats farther into the sewers with Hornet.

Prodigy resumes his career as a crime-fighter, this time solo, and cape-less. He finds, however, that he is unable to prevent accidents from happening, that there was something about his cape that allowed him to better control his powers. Without it, people are getting seriously hurt, no matter how careful Prodigy is. He decides to rejoin his team-mates, and get his cape back.

Ricochet and Dusk return to the aid of Hornet, and this time succeed in stopping him from accomplishing his goal of putting the remaining Nuclear Waste in the city’s water supply.

Slingers #9Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull and Don Hillsman, Colored by Felix Serrano, Lettered by Bullpen DS. $1.99.

This issue starts with a flashback to when Rico’s mother is killed by Nanny and Orphanmaker (yes, that Nanny and Orphanmaker). Flash forward to the present day, when Rico is kidnapped by the Orphanmaker so that Nanny can make up for “failing” Rico the first time, and do things right this time around. To accomplish this, Nanny reveals that Rico’s father must die as well, so that Rico would truly be an orphan.

Rico escapes and foils the Nanny’s plans, and ends up revealing his secret to his father. In the end, Rico returns to his room to find Prodigy, who asks for his help.

Slingers #10Slingers #10Written by Joseph Harris, Penciled by ChrisCross, Inked by Rob Stull and Don Hillsman, Colored by Rick Taylor, Lettered by Sharpfont and P.T. $1.99.

Dan Lyons, The Black Marvel is laying dead in the hospital, when Mephisto comes calling, looking to claim his soul. It seems that the suits that the Slingers are wearing were created by Mephisto, and granted with certain powers so that The Black Marvel could use them to become a hero once more. A deal with the devil, if you will. Mephisto takes his soul, and The Black Marvel dies.

Mephisto turns his attention to the newly re-united Slingers – curious about what happened to the tools he created. Finding them lacking, he causes the “heroes” in the billboard that overlooks the building they meet at to come to life, attack the quartet, and eventually drag them down into his realm along with the soul of the Black Marvel.

Slingers #11Written by Joseph Harris, Penciled by Javier Saltares, Inked by Perrota and Mahlstedt, Colored by Rick Taylor, Lettered by Sharpfont & P.T. $1.99.

Mephisto, curious to see how his “boon” of creating the Slingers was spent, offers them a bargain – Forgive the Black Marvel for all he had dome to them, and he will release his soul from its eternity of torture. The Slingers argue about the merits of this deal, and Mephisto, impatient, separates them, and puts each of them through individual experiences that shine a bright light on their most humiliating personal weaknesses. He then draws them back together, and then – their egos beaten down, he sends his hoards against them.

Slingers #12Slingers #12Written by Joseph Harris, Penciled by Javier Saltares, Inked by Minor, Perrota, Ramos, and Rubenstein, Colored by Rick Taylor, Lettered by Sharpfont & P.T. $1.99.

Things look grim for the Slingers as an unending wave of demons attack them. Dusk, angered, finally taps into the depths of her powers, and in one powerful attack manages to wipe out almost all of the thousands of demons surging towards the Slingers.

In the end, the Slingers lay down everything that Mephisto gave them, their identities – everything that initially made them “heroes,” and confronted him as themselves. They saw through Mephisto’s tricks, ignored his misdirections, and gave the Black Marvel their forgiveness for what he had done. The Black Marvel’s soul was freed, and the Slingers left Mephisto’s Realm.

The New Warriors #1Written by Jay Faerber, Penciled by Steve Scott, Inked by Walden Wong, Colored by Kevin Somers, and Lettered by RS/Comicraft/LA. $2.99

The Slingers’ appearance in this issue is brief. Speedball, attempting to reform the New Warriors, approaches the Slingers to see if they would like to join the team. Their response? Uproarious laughter.

Contest of Champions II #3. – Written by Chris Claremont, Pencils by Oscar Jimenez, Inks by Eduardo Alpuente, Colors by Atomic Paintbrush, Letters by Richard Starkings and Comicraft/LA. $2.50.

The Slingers go head to head with the New Warriors in a game of basketball, and are barely defeated. The New Warriors advance.

Wolverine #23. – Written by Mark Millar, Pencils by John Romita, Jr., Inks by Klaus Johnson, Colors by Paul Mounts, Letters by Chris Eliopoulos.

Solo appearance by Hornet here – and the one that I was referring to earlier. Hornet never appears alive in this issue – his body is discovered in the aftermath of a mind-controlled Wolverine’s rampage. He is mistaken for Spider-Man by a damage control worker.

Thoughts

Slingers #6Six years is a long time, and it seems to have flown by a lot faster than I thought it would. I remember back when Slingers was cancelled (along with Nova, another series I was reading), and the news was sad. But at the time – I wasn’t all that worried. Books got cancelled time and time again, and the concepts always seemed to pop back up every few years. Look at Power Pack – that gets cancelled every time they put it out, but we are all set for the latest Power Pack series from Marvel coming up early next year. So it was only a matter of time before the Slingers would come back – somehow, somewhere. Right?

Well, in a way they have, and not at all the way I had hoped. Hornet met with a seriously unceremonious death this past Wednesday in the pages of Wolverine, and it made my blood boil. It wasn’t the death that did it – it was the way the death happened.

For those who read the series, we all remember what kind of hero Eddie McDonough was. Quiet, unassuming, bookish, shy with women. It is probably safe to say that as a character, he was more like all of us than any of the Slingers. He may not have been your favorite member of the team, but he was the one who you could empathize with the most.

Slingers #1CHe was young, eager, but new at the game. The very thought of talking to Spider-Man terrified him – he fled rather than face the potential suspicion of a veteran like that. Not a coward – he just knew when he was out of his league. If Hornet would run from a suspicious Spider-Man over a misunderstanding, how do you think he would react to a rampaging Wolverine?

So here we have Wolverine, mind-controlled, on a rampage. Most heroes would not confront him, because if he killed them, they would become tools of the Hand. as well. Well, we know the real reason for this was that Wolverine could not be beat, else there would be no story, and they couldn’t have Wolverine actually kill any main heroes for obvious reasons… So they had to bring out someone who may be recognizable, but whose death would have absolutely zero impact on the current state of the Marvel universe, or on any future plans that may be in the works. Enter Slingers, or specifically – Hornet.

Slingers #2BRegardless of the political/ financial reasons for choosing Hornet to die, the actual execution of his fall was handled quite poorly indeed.

Hornet (along with the rest of the Slingers) was a character I grew to care about. I will be the first to admit that perhaps the original Slingers series didn’t have the most blockbuster stories. Not that they were bad in the least, but there was a lot, in the end, that was left unclear. But the appeal of this series wasn’t the so much the story as the characters. The Slingers were vibrant and real characters that you could relate to. They may have been seen by some as a cheap Spider-Man rip-off attempt, but the one thing they really took from Spider-Man was his appeal and relatability to the reader. These were students with flaws. Inexperienced kids who were terrified about what they were doing, had no idea if they were doing it right, but were driven to help those in need, and in part thrilled by the excitement of it. Ritchie, the proud and driven loner. Cassie, a depressed rich-girl. Johnny – the pretty-boy from a troubled home. And Eddie – intelligent, but flawed.

Slingers #1DBut sometimes in a story people die, and sometimes it is a character you care a lot about. And what is the Marvel Universe but a giant tapestry weaving together all of the stories of all of the characters? As comic fans, when a favorite character goes away for awhile, we don’t look at it as an end, rather, a break in the story. For Slingers fans, the moment Hornet, or any of the Slingers, appeared on panel once again, it was Marvel’s way of picking up the story once again. Only Marvel cheated us.

They killed Hornet, but they refused to give us closure. There was a great story here, they just refused to tell it.

Hornet: the young, inexperienced hero, sees a dangerous veteran, with the hoards of Hydra at his back, on a murderous rampage. None of the heroes will confront him. People are dying. He KNOWS that he may not be able to stop him. He knows that he will probably be killed if he tries. But against his fears, his instinct is to try and stop him. To try and save the lives of the innocents in Wolverine’s path. There is tons of inner conflict and turmoil, but in the end, he makes the effort. He tries to stop the rampage – and he fails. He falls, but he dies a hero.

That may have been a story that fans of Slingers could have lived with – but we were denied that. Instead, we are left with questions. Where was the rest of the team? Why did Hornet go solo, when he knew someone (Dusk) who could probably end Wolverine’s rampage on her own? And why in the world was Hornet the only hero anywhere brave enough to face Wolverine, who really isn’t all that powerful in the grand scheme of things? And why weren’t we allowed to see Hornet swallow his fears, and rush into battle against impossible odds, only to die in the end? Why were we, as fans, denied that?

We also get the insult – a group of people who don’t even know Hornet’s name. The hero with more guts than any of them gets his head cut off by a woman who has no respect for him – a woman who can’t even refer to him as a “Super-Hero” without it dripping with sarcasm. It wasn’t enough to deny fans of the character a decent death, but the scene had to be written in a way that tells us that the character was barely worth the four colors he was printed in. To me this felt like a huge slap in the face from the House of Ideas. Why did I bother investing my time, money, and dedication on a concept Marvel found worthless? And what about the creators whose energies went to crafting these characters? Were there efforts wasted? Marvel seems to think so.
Slingers #9I am not so much of a fanboy that I will get bent out of shape when a favorite series gets cancelled. Sure, I am disappointed, but I understand the business end of things. If something isn’t selling well enough to make a profit, then you have to pull the plug. It is economics – and as much as I love comics, I know that the big publishers are in it to make money.

But this – this shows total lack of respect towards your readers. On one hand, it is an insult to Slingers fans for all of the reasons I have stated. On the other hand, if you couldn’t care less about Slingers, and read this issue as a fan of Wolverine, it is an insult to you that you are being sold a story that has no internal logic. Aside from Dusk, there are dozens of heroes in the Marvel Universe with the power to put an end to Wolverine’s little pillaging spree with almost no risk to themselves – instead, they toss a character out that they think no one will remember just so they can have “killed a super-hero.” You, my friends, were cheated out of a story that made any sense just so that they could have a few really cool issues showing Wolverine killing a whole bunch of people. And hey – if that is what you are looking for, I am glad you got it, but I think you were swindled in the deal. Come on, at least do something like giving Wolvie the “Power Cosmic” so that other heroes being afraid of him at least makes a little sense.

Bottom Line

In the end, the Slingers series will always have a special place on my comic shelves. No trade that I know of exists at this time, but with some hunting, you should be able to track down the back issues. Harris wrote a tremendous character driven story, and I am firmly convinced that ChrisCross will never see the day where people stop mentioning to him that they loved his work on Slingers.

Slingers #12One thing is certain, however – comic deaths are one thing that you can almost always count on to be temporary. Slingers and those who enjoyed that book might be something of a joke at Marvel these days, but things change. One day there will be a new captain of the ship called Marvel, and perhaps he or she will see fit to throw is Slingers fans a bone. A four issue mini would be nice! Stranger things have happened in comics. If Power Pack can get a new series, anything is possible.

I wore these things for about two seconds, then locked them up in a trunk where they stayed. Second rate identities either way, but still … they’ve got fan clubs. Maybe one day I’ll understand the attraction.” – Peter Parker, Slingers #5.

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December 24, 2004

Off The Cuff #11 – Christmas Spectacular!

Filed under: Off the Cuff — Craig Reade @ 10:18 am

*Merry Christmas everyone. As you might have guessed by the rest of the stuff on SotS this week, we are in the midst of our Christmas Spectacular. And what holiday season isn’t complete without a trip to Still on the Shelf for some reading goodness? So sit back, sip that mug of hot chocolate, enjoy your Christmas presents, and relax a little.

*I was way ahead of the game this year in my gift purchasing for most of my family. I was even kind of proud of myself this year. But as happens ever year, I still needed some last minute gifts. So on my quest I head out to Best Buy to see what I can find.

The place is naturally packed and I eventually find what I’m looking for. As I approach the check out line I notice that they have the whole area roped off. You have to stand in a long line before you can even get to the check out lanes. I guess this is done under the pretense of ‘efficiency’. However, I think it’s just to force you to walk past the useless stuff they are trying to sell. I’m not sure how they expect anyone to have the willpower to walk by a copy of Sylvester Stallone’s Cobra and not buy a copy.

Eventually however I enter a lane to pay for my purchases. I get the standard “happy holiday’s” and that’s when I notice the cashier’s nametag. It simply says “B”. Apparently the rest of the consonants nametags were already taken.

*It’s nice to see that GI Joe is enjoying a full resurgence in the toy market. Of course it’s being marketed more under “Venom v. Valor” than “GI Joe”, but it’s still the same thing. Some toys are just classic, and should be available for all generations.

Personally I was always a fan of the TV show, although some people preferred the comic. I liked the fact that the cartoon was ‘simplistic’ in the sense that no one ever died and the good guys always won. Is there any reason children shouldn’t be allowed to believe that life is that simple? The world is a complex and dangerous place. Why can’t we just have cartoons that are simple and entertaining?

*Anyone looking for last minute stocking stuffers would do well to keep in mind the old DVD. There are a lot of good comic related movies out on DVD right now, and even some movies that weren’t so good. My personal recommendations would include Spider-Man 1, Spider-Man 2, and Blade. I don’t think you can go wrong with any of those movies. They are entertaining and (mostly) based on the comic book property.

*Of course if you didn’t want to go the movie DVD route, there are numerous shows on DVD that would make a nice gift.

*Isn’t it interesting that there are still certain toys and games that haven’t changed in decades? I saw a Connect 4 commercial that I swear I could have seen when I was seven. Even the Connect 4 box hasn’t really changed. I guess when you managed to build a timeless classic, why mess with it?

*Very few superhero games are any good. In fact, most of them are just truly awful. And some of the games are so bad it almost makes me want to give up the hobby. However, one game that has gotten some critical acclaim, as well as popular support, is X-Men: Legends.

Another good game is City of Heroes. This is a Massively Multi-player Online Role Playing Game. In other words, you play it online with other people.

I haven’t played either, but I’ve heard very few criticisms of either game. So take that advice for what it’s worth. (Perhaps not very much!)

*Have you seen the new Darth Vader Mask? It’s a replica mask with the “front box” doo-hickey thing that Vader used to wear. It looks very authentic for a children’s toy. And in addition to looking great, it also has some very cool features.

The basic draw of the toy is that it ‘changes’ your voice to make you sound Vader-like. It also comes with pre-programmed lines from the movie (you know, the good ones. The ones before Episode I). Who hasn’t wanted to be Darth Vader at one time or another? Heck, I think I still want to be Darth Vader. And unless you are gifted with the Force, this may be your only chance.

The best part of this toy has to be the commercial though. The marketing is brilliant, because it targets both the father and the kid. The kid wants the mask for all of the above reasons. The dad wants to get the kid the mask because it’s a toy he would have wanted. But it also appeals to the dad’s parenting senses. The commercial throws a little twist, by ending with the dad sitting ominously at his desk instructing the kid to take out the trash. The kid responds in Vader-like fashion, “As you command”. And takes out the trash (and presumably any Jedi along the way). What parent doesn’t want his/her kids to listen obediently? And if you can get them to do that with a Vader mask, then all the better.

*On a side note, spell check on my computer automatically capitalizes the word ‘Jedi.’ I suppose next we’ll find out it’s an officially recognized religion.

*Comic books, cartoons, toys, and Christmas all seem to go together so perfectly. We all know the huge marketing pressures that occur every year. The frenzied last minute shopping we are all guilty of. Yet every year Christmas turns out to be ‘worth it’. I find that there is still something special and magical about getting that much beloved toy on Christmas morning.

As a child, Christmas was defined as a success if I woke up and found that Santa had delivered some GI Joes and possibly a Transformer or two. Nothing could have been better. I could hardly contain my enthusiasm for the getting the Terror Dome, some vehicle or Snake Eyes.

As I got older, my attention shifted to video games. I still think the greatest Christmas I ever had was the year we got our Nintendo. Talk about Christmas excitement!

And now, ironically, it seems I’ve come almost full circle. This year I’m hoping to get some comic book-related gifts (as well as some video games). It’s become a bit of a tradition for the siblings in our family to buy toys for one another, even though we are all older. My sister still finds some little toys and Garbage Pail Kids for us. While my brother and I typically exchange comic book-related gear, usually HeroClix and a TPB or two.

It’s a good season, and one I’m grateful for getting to spend with my family. So how about you guys? What kind of toys/presents did you love to get as kids? Any comic book related holiday traditions? Let us know in the forum below.

Here at Off the Cuff – World HQ, we’d like to wish you all a very Merry Christmas and a Happy New Year. Thanks for reading the column, you make it all worth while.

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December 20, 2004

Still on the Shelf #83 – NBM

Filed under: Still on the Shelf — Craig Reade @ 12:32 pm

sots83Recently, you might have noticed a few mentions by me of some of NBM’s comics and other graphic literature. NBM has a pretty diverse line-up, but one of the things that struck me about them as a publisher is that they tend to do a lot of things that would qualify as more artistic than your average comic book. Sure they have their more traditional comic book type stories – Dungeon and The Hardy Boys come to mind, but they also are much more flexible when it comes to pushing the artistic envelope than your average comic publisher. For a while I have focused a great deal on individual small press comics, but I thought it might be a good idea, from time to time, to take a larger look at some of the things a particular publisher is putting out. So why not start this week?

Graphic novels and similar graphic storytelling projects are somewhat underappreciated in the comic community. Let’s face it – even though it is pretty clear that the average comic reader is quite a bit older than it was in decades past, the subject matter hasn’t exactly gotten much more sophisticated. Sure, comics have more adult themes, but they would hardly qualify as sophisticated. Look at the top ten comic sales in October – about the only one that comes close to qualifying would be Secret War, and that is only because as a series it is prized for its painted art. Beyond that one possible exception, it is all your standard super-hero storytelling: the same thing comics have been about for decades. On the graphic novel side, replace “super-hero” with “manga,” and the results come out about the same.

This is not to suggest that the popular comics of the day aren’t skillfully done, quite the opposite. Who can say that Identity Crisis isn’t an outstanding story? Despite the skill with which that story is told, I think there is a pretty clear distinction between something like that and something more “artistic,” like Kabuki. Now, personally, I like Identity Crisis far beter than Kabuki, but while the former is simply an amazing story, the other is seeking to push the artistic envelope.

When it comes to these more “artistic” properties, it seems that NBM has more than its fair share. So I decided to take a look at a few of their titles (artistic and otherwise), and let you know what I think.

jungleThe Jungle

Written by Upton Sinclair
Adapted by Peter Kuper

I am sure many of you have seen me mention that I am wary of the inclusion of politics in comic books. Usually I think this is a terrible idea. We all have our favorite mainstream books, and when the current writer of one of those books decides to use it as a platform for pontificating, it can make the reading experience less than enjoyable. I don’t read any of the mainstream comics for social commentary, and that is never going to change. I want Batman fighting the Joker, not Global Warming. This isn’t to say that comics should be sterile – Oliver Queen just wouldn’t be the same if he wasn’t a hard-core liberal, but real deep espousal of political ideas shouldn’t be something I find in Challengers of the Unknown.

There is a time and a place for it, and this is a good example. When your initial goal is to tell a story that conveys an idea, the political is to be expected. When presented properly, even if you disagree with the ideas espoused, one can hardly be offended by the political content. I am pretty far removed, politically, from a Socialist, but still admire the skillfully told storytelling in, and the historical importance of Upton Sinclair’s “The Jungle.”

For those unfamiliar, The Jungle, written in 1906, was seen by some as a damning exposé on the Chicago meat-packing industry. Though it did lead to some serious investigation and changes in the industry, with some added historical perspective, it becomes clear that The Jungle is a powerful argument for Socialism.

Obviously this is not the actual novel itself, rather, a graphic novel adaptation. And I have to say it was pretty impressively done. One of the things that Sinclair himself tried to convey was hopelessness of the disillusioned worker in the brutal American Capitalist system. The biggest challenge for Kuper here, in my eyes, was the artistic presentation, and he did a fantastic job. Jurgis (and all of the characters, for that matter), are clearly downtrodden at the beginning of the story, but they are still hopeful and idealistic, and that is conveyed in the art. The characters are happy, the colors are bright. But as the story progresses, and Jurgis is chewed up by the Capitalist machine, his life slowly destroyed, the art becomes darker, more chaotic. That is, until he “finds” socialism. Then he is bathed in red, and the art is suddenly brighter, the panels are happy once again. Triumphant.

Agree politically or not, Sinclair had a pretty powerful message to deliver when he wrote The Jungle, and Kuper did a fantastic job on his adaptation. It is worth a look if you are looking for something a little more on the literary side for your next graphic novel purchase.

fallen2The Fallen Vol. 2 – Cold Religion

Written by David Aaron Clark
Art by David Rankin

I almost decided not to write about this one this week. Not that it wasn’t good (in its own way, it was), but rather, because I was hopelessly lost.

The Fallen is a planned three issue series that would best be described as Urban Goth. It is dark, brutal, and twisted – it drips with forbidden sexuality and violence. It isn’t at all a stretch to say that this book is intended for mature audiences.

The story is very heavy, and at times difficult to follow, but I do attribute that to my missing the first volume. The story is revolves around an underground group of vampires and their interactions with an artist.

As I said, the story is a little muddy, but it is painfully clear that the tale is less important than the art. This book is most definitely on the “artistic” end of graphic storytelling. David Rankin (who replaces Volume 1 artist Miran Kim with this volume) uses an interesting blend of photo collage and painting to tell Clark’s story. While I found the story to be overly wordy and somewhat dreary at times, the artistic presentation is simply stunning. It is fresh and creative, and unlike anything else I am seeing in comics today. It is dark, imaginative, and very different than anything in the more main stream “comics.”

As interesting as The Fallen is, it is not for everyone. If you have a problem with disturbing imagery and somewhat blasphemous ideas, you might want to look elsewhere. As much as I respect Clark’s vision here, the art really is the selling point of this series, and not the story. If you like creative graphic art, you might want to give The Fallen a look. If you’d like to take a peak at some sample pages from the series, they are available on the NBM website. Again – this is something for mature audiences only, so keep that in mind before looking at the pages.

boneBoneyard

By Richard Moore

OK, this doesn’t really fit into the general theme of this week’s column, but I found it to be entertaining nonetheless.

Boneyard is the story of a man named Michael Paris who inherits a graveyard that happens to be filled with every sort of monster you might imagine. The thing is – the monsters themselves really aren’t that bad of people, those that “fear” them turn out to be the real monsters. Paris is constantly under assault by those who want to take the graveyard from him, including the IRS and the Devil himself.

I caught the third volume of Boneyard, and before I read the first page, I was suspicious. Included in this collection was Boneyard #9-11 and the Swimsuit Issue. I have a real hostility towards Swimsuit issues of comics in general, and right away I couldn’t help but be down on this book from the beginning. Just look at any of my past comments regarding the Chaos Lady Death vs. th eMedieval Lady Death, and that should tell you all you need to know about my feelings on sexing up your comic heroines.

The thing is – Moore surprised me with this story, and the fact that I enjoyed anything involving a comic book swimsuit issue makes it worthy of mentioning, I think. The plot of this third trade revolves around an attempt to raise money to save the graveyard from the IRS by making a “Monsters on the Beach” Swimsuit calendar! And, of course, the actual “calendar” gets presented to you in the form of a swimsuit issue, with the issue itself remaining consistent with the various plot points that were brought up in the main story. I guess what I am saying is, if you are going to do a swimsuit issue, this is the way to do it.

The story itself is pretty entertaining, and way better than I expected. Moore has some pretty deep characters here and I do really enjoy good, character driven stories. It was fairly easy to jump into in the middle – I am sure there are several things I missed from the first two arcs, but that didn’t hinder my enjoyment of this story too much.

Boneyard itself comes out quarterly, and carries a cover price of $2.95. The third trade should be available next month, and has a cover price of $9.95. I thought that Boneyard read quite well in the trade format, and that is certainly the most cost-effective way to read the back story. It isn’t a traditional horror story, and while there are some humerous elements, I would hesitate to call it a comedy. If you are looking for a light, character-driven story with some light humor, this is the book for you.

All three of these titles can be ordered from NBM’s website, or by your local comic shop.

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December 7, 2004

Off The Cuff #10

Filed under: Off the Cuff — Craig Reade @ 12:52 am

Off the Cuff – Edition 10
By Eric Barrett

Comics, Cartoons, and all things related

*Have you ever wondered where the Justice League headquarters is located? Its location seems to move about every three minutes or so. Sometimes it’s on Earth. Sometimes it’s in orbit. And sometimes it’s on the moon. But if I were a betting man, I’d say that right now it’s probably at some Starbucks along with everything and everyone else.

*This March Image is launching a title called The Pact. The book is a four-part mini that features several of Images heroes, essentially it’s a team-up book. Phil Hester (Firebreather) says about the team-up:

Quote:
“Remember how you felt the first time you saw Superman race the Flash, or Spider-Man interact with Daredevil, or Dragon mix it up with Spawn? I see The Pact as a chance to recapture that sort of thrill. You have characters that are just as exciting and well-realized as the big icons, but free from all the continuity baggage encumbering those historic heroes.”


Well isn’t the whole reason these match-ups are exciting is because of their continuity and history. It’s the history of the characters that makes them exciting. I don’t want to see two fast people race; I want to see Superman take on the Flash to see which titan has bragging rights.
*A little Batman story? A few episodes ago in The Batman, Bats tried to prevent an abduction of a chess player by a bishop piece (don’t ask). Batman swoops in and says, “Knight takes Bishop” while kicking over the bad guy. What a great line.*I mentioned this in a previous column, but let me say it again; I am now a fan of Justice League Unlimited. This week’s episode was fantastic. And it totally rocked my world. They had everything, action, humor, suspense, mystery, evil villains, noble acts, and conspiracy. It’s episodes like that one that make writing this column so much fun.

*Yuyu Hakusho is really coming into its own. I seem to say this every few weeks, but it’s true each time. There are several major problems with the general anime formula. One is exponential growth. I’ve covered that fairly extensively in OTC. Another problem is the style of the stories. Most American shows are one 30-minute episode. Occasionally they will have a 3 to 4-episode arc. But anime almost universally involves complicated and drawn-out stories, which naturally take place over many episodes.

This is both a blessing and a burden. It’s great because complicated stores are usually more interesting. The longer you have to tell a story the more depth and breadth you can create. But it is often harder to keep consistency across these stories. All writing has its ups and downs. And the more you focus on only one story, the more likely you are to have obvious ups and downs.

So the reason Yuyu Hakusho is so brilliant is that it excels at answering both of these dilemmas. By changing the problems Yusuke Urameshi must overcome, the story stays fresh and interesting.

*If you don’t mind, allow me to brag a bit. I wrote a column about whether or not society could allow the existence of superheroes. In this column I suggested that society, in its present form, could not tolerate superheroes. I went on to suggest that the government would need to completely control any heroes if they were to exist. Well, the above episode of Justice League Unlimited dealt a lot with this idea. The government created a set of cloned superheroes that only listened to them. Not only that, but they are highly suspicious of superheroes not in their control, including Superman.

I also wrote a column about superheroes getting into advertising. It was suggested that Superman start selling some “Superman Underoos”. Well turns out this was a pretty good idea. If you pick up a copy of Fantastic Four #520, you’ll see an ad for Superman Underoos.

It’s nice to be on the cutting edge.

*It’s been settled. Nick Cassavetes will direct the upcoming Iron Man movie. I have mixed feelings about the whole thing. On the one hand Iron Man is one of my favorite characters. On the other, I don’t know how well he translates to the Big Screen.

Almost all of the cool stuff Iron Man does would require extensive computer graphics. And as advanced as CG has become, I’m not sure how well it would translate all of this stuff. Iron Man flies around and shoots lasers a lot. But there are also a lot of close-up shots of Iron Man. So you couldn’t rely solely on CG or costumes in this movie. You’d need a combination of the two. It’s better to not even attempt this movie if you can’t do the special effects right.
*The good news is the script is based on a previous script written by Alfred Gough, Miles Millar, and David Hoyter, of Smallville fame. We should be in for a good story. But I hope that this doesn’t mean Iron Man will be a teen drama.
*That’s it for this week. I’m behind in my comic book reading, so if I get caught up by next week we should have some more interesting things to talk about. Have a good one.

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